"When choosing between two evils, I always like to try the one I've never tried before"
About this Quote
Mae West turns moral panic into a punchline by treating "evil" not as a cliff edge but as a menu. The line works because it keeps the grammar of virtue (the classic dilemma: choose the lesser evil) while swapping in the logic of appetite and novelty. That pivot is the whole West brand: she takes the scolding language used to police women's behavior and uses it to advertise female desire as clever, chosen, and frankly fun.
The specific intent is mischief with a thesis. West isn't confessing to depravity so much as mocking the sanctimony of a culture that labels any noncompliant pleasure "wicked". By framing the choice as an experiment, she makes vice sound like self-improvement, turning condemnation into curiosity. The joke lands on the word "try" - a verb from consumer culture and romance alike - which makes morality feel less like a courtroom and more like nightlife.
Subtext: if society is going to treat women's autonomy as transgression, why not take ownership of the charge? West's persona doesn't beg to be forgiven; it negotiates the terms of sin with a wink. That wink mattered in an era when Hollywood and Broadway operated under thick layers of censorship and moral posturing. West thrived by speaking in double meanings that got past gatekeepers while signaling to audiences that she understood the rules - and enjoyed bending them.
It's a one-liner with a screwdriver in it: she loosens the screws of respectability by making "evil" sound boringly familiar.
The specific intent is mischief with a thesis. West isn't confessing to depravity so much as mocking the sanctimony of a culture that labels any noncompliant pleasure "wicked". By framing the choice as an experiment, she makes vice sound like self-improvement, turning condemnation into curiosity. The joke lands on the word "try" - a verb from consumer culture and romance alike - which makes morality feel less like a courtroom and more like nightlife.
Subtext: if society is going to treat women's autonomy as transgression, why not take ownership of the charge? West's persona doesn't beg to be forgiven; it negotiates the terms of sin with a wink. That wink mattered in an era when Hollywood and Broadway operated under thick layers of censorship and moral posturing. West thrived by speaking in double meanings that got past gatekeepers while signaling to audiences that she understood the rules - and enjoyed bending them.
It's a one-liner with a screwdriver in it: she loosens the screws of respectability by making "evil" sound boringly familiar.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Mae West — attributed quote: "When choosing between two evils, I always like to try the one I've never tried before." See Wikiquote: Mae West. |
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