"When everything else physical and mental seems to diminish, the appreciation of beauty is on the increase"
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Aging, Berenson suggests, is not a simple story of loss but a reallocation of attention. “When everything else physical and mental seems to diminish” has the blunt, almost clinical cadence of an inventory: strength fades, memory frays, ambition narrows. Then he pivots to a quiet provocation: the aesthetic faculty doesn’t merely survive decline, it intensifies. Beauty becomes less a decorative extra and more a primary sense organ.
The intent is partly autobiographical and partly polemical. Berenson made his life inside paintings, training his eye to register minute differences in line, surface, and feeling. In that world, “appreciation” isn’t a vague mood; it’s practiced perception. The subtext is a defense of the humanities as a late-life technology: when the body is less cooperative and the mind less quick, art still offers a reliable form of aliveness. Not productivity, not conquest, but attention.
Context matters. Berenson lived through industrial acceleration, two world wars, and the professionalization of scholarship, all eras that rewarded speed, utility, and “newness.” His line pushes back against that modern accounting. It also carries an implicit rebuke to the cult of youth: if beauty grows more legible with age, then youth’s supposed monopoly on vivid experience looks like a category error. What works here is the paradox. Decline is framed as an opening, and beauty as the one pleasure that doesn’t require you to be at your peak - only to be present.
The intent is partly autobiographical and partly polemical. Berenson made his life inside paintings, training his eye to register minute differences in line, surface, and feeling. In that world, “appreciation” isn’t a vague mood; it’s practiced perception. The subtext is a defense of the humanities as a late-life technology: when the body is less cooperative and the mind less quick, art still offers a reliable form of aliveness. Not productivity, not conquest, but attention.
Context matters. Berenson lived through industrial acceleration, two world wars, and the professionalization of scholarship, all eras that rewarded speed, utility, and “newness.” His line pushes back against that modern accounting. It also carries an implicit rebuke to the cult of youth: if beauty grows more legible with age, then youth’s supposed monopoly on vivid experience looks like a category error. What works here is the paradox. Decline is framed as an opening, and beauty as the one pleasure that doesn’t require you to be at your peak - only to be present.
Quote Details
| Topic | Aging |
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