"When faced with the inevitable fatigue that comes with the recycling of speeches and the recycling of thoughts in a rather small stream of vortex, I am urged to not be ashamed of recycling"
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Even the apology is doing double duty here: Amiel turns a defensive move - yes, I reuse lines, yes, I circle familiar arguments - into a critique of the culture that demands constant novelty from people paid to think in public. The phrase "inevitable fatigue" admits the tedium upfront, but it also implies a structural problem: opinion journalism and political commentary run on deadlines, not epiphanies. If the machine insists on fresh content every day, it will get reheated ideas with a new garnish.
Her repetition is the point. "Recycling of speeches" and "recycling of thoughts" isn’t sloppy phrasing so much as a little performance of the very loop she’s describing. The oddly mixed metaphor - a "small stream of vortex" - conveys claustrophobia: a public conversation that pretends to be flowing forward while actually spinning in place. It’s not just that writers repeat themselves; audiences, editors, and institutions keep the carousel turning because it’s legible, dependable, and monetizable.
The subtext is a plea for permission without quite pleading. "Urged to not be ashamed" suggests an external nudge - perhaps from colleagues, perhaps from the market itself - to treat reiteration as craft rather than failure. In that sense, the line is both self-exoneration and indictment: if public discourse feels like a closed loop, blaming the individual recycler misses the real culprit. Amiel is positioning repetition as honesty about the ecosystem, not a moral lapse.
Her repetition is the point. "Recycling of speeches" and "recycling of thoughts" isn’t sloppy phrasing so much as a little performance of the very loop she’s describing. The oddly mixed metaphor - a "small stream of vortex" - conveys claustrophobia: a public conversation that pretends to be flowing forward while actually spinning in place. It’s not just that writers repeat themselves; audiences, editors, and institutions keep the carousel turning because it’s legible, dependable, and monetizable.
The subtext is a plea for permission without quite pleading. "Urged to not be ashamed" suggests an external nudge - perhaps from colleagues, perhaps from the market itself - to treat reiteration as craft rather than failure. In that sense, the line is both self-exoneration and indictment: if public discourse feels like a closed loop, blaming the individual recycler misses the real culprit. Amiel is positioning repetition as honesty about the ecosystem, not a moral lapse.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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