"When I first started all this, it was mostly music fans that came along, Stones fans. But now, I'm being taken seriously. I've got highfalutin' art collectors and everything!"
About this Quote
Ron Wood’s charm here is that he plays the outsider even while admitting he’s already inside. He starts with the comfortable origin story - “mostly music fans… Stones fans” - the faithful who would follow him anywhere because the brand is the art. Then he pivots to the punchline: “now, I’m being taken seriously,” as if seriousness is a club that finally stamped his hand. The line is funny because Wood is, obviously, Ron Wood; the idea that legitimacy arrives late reads like a wink at cultural gatekeeping.
“Highfalutin’ art collectors” is the key phrase. It’s not reverent, it’s mildly suspicious, the way a working musician might talk about a white-cube world that sells “taste” as much as paintings. He’s both flattered and amused, signaling that he understands the hierarchy: fans are passion, collectors are status; one buys tickets, the other buys validation. The “and everything!” tag clinches the comic deflation, puncturing pretension without pretending he doesn’t enjoy the upgrade.
Context matters: rock stars crossing into visual art are routinely treated as vanity projects until the market decides otherwise. Wood’s quote captures that uneasy moment when a creative identity gets re-priced. It’s not just about him being recognized; it’s about how recognition works - who gets to call something “art,” and how quickly the same work looks different once the “right” people are seen looking at it.
“Highfalutin’ art collectors” is the key phrase. It’s not reverent, it’s mildly suspicious, the way a working musician might talk about a white-cube world that sells “taste” as much as paintings. He’s both flattered and amused, signaling that he understands the hierarchy: fans are passion, collectors are status; one buys tickets, the other buys validation. The “and everything!” tag clinches the comic deflation, puncturing pretension without pretending he doesn’t enjoy the upgrade.
Context matters: rock stars crossing into visual art are routinely treated as vanity projects until the market decides otherwise. Wood’s quote captures that uneasy moment when a creative identity gets re-priced. It’s not just about him being recognized; it’s about how recognition works - who gets to call something “art,” and how quickly the same work looks different once the “right” people are seen looking at it.
Quote Details
| Topic | Art |
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