"When I grow up I am going to be a ballerina. I will be in Giselle. It will be so much fun being a ballerina"
About this Quote
The charm here is how nakedly specific the dream is: not just "I want to dance", but "I will be in Giselle". Karen Kain is reaching for a title that, in ballet culture, functions like a high-wire test of legitimacy. Giselle isn`t a vague fantasy of tutus; it`s a role that demands both technical steel and emotional transparency, switching from sunlit innocence to supernatural grief. For a dancer to name it early is to reveal ambition with a blueprint.
The line reads like childhood certainty, but it also smuggles in the discipline ballet requires. "When I grow up" sounds casual, yet in ballet, growing up is the hard part: bodies change, standards tighten, the clock accelerates. The future tense ("I am going to be", "I will be") is a kind of self-hypnosis, a protective spell against an art form built to make you doubt yourself.
Then there`s the disarming final note: "It will be so much fun". Adults know ballet is punishing; dancers know it better than anyone. Calling it fun isn`t ignorance so much as a revelation of motive. Kain frames aspiration not as suffering-for-greatness, but as joy worth enduring the suffering for. Coming from a figure who would become a defining Canadian ballerina, the quote lands as origin story and ideology: excellence begins as delight, and the delight is what survives long enough to become mastery.
The line reads like childhood certainty, but it also smuggles in the discipline ballet requires. "When I grow up" sounds casual, yet in ballet, growing up is the hard part: bodies change, standards tighten, the clock accelerates. The future tense ("I am going to be", "I will be") is a kind of self-hypnosis, a protective spell against an art form built to make you doubt yourself.
Then there`s the disarming final note: "It will be so much fun". Adults know ballet is punishing; dancers know it better than anyone. Calling it fun isn`t ignorance so much as a revelation of motive. Kain frames aspiration not as suffering-for-greatness, but as joy worth enduring the suffering for. Coming from a figure who would become a defining Canadian ballerina, the quote lands as origin story and ideology: excellence begins as delight, and the delight is what survives long enough to become mastery.
Quote Details
| Topic | Art |
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