"When I select a topic, it's usually a commitment of two to three years of my life"
About this Quote
There is something bracingly unromantic about Kidder framing inspiration as a multi-year mortgage. The line punctures the popular fantasy of the writer as a lightning-rod for ideas and replaces it with a worker’s ethic: choosing a topic isn’t a flirtation, it’s signing a lease. That plainspoken timeframe functions as a credibility flex, too. In one sentence, Kidder stakes his claim in the tradition of immersion journalism and big reported narratives, where the real cost isn’t the plane ticket but the slow surrender of your calendar, attention, and ego.
The intent is partly practical advice and partly boundary-setting. Kidder is telling aspiring writers that “topic” is not a brainstorm; it’s a life arrangement with consequences. The subtext is that most ideas don’t deserve you. If the decision carries a two- to three-year price tag, you become ruthlessly selective, not precious. It also hints at what reporting actually demands: relationships maintained, trust earned, facts checked and rechecked, drafts rewritten until the initial premise has been challenged by reality.
Context matters: Kidder built a career on long-form nonfiction that lives or dies on proximity to people and systems (schools, hospitals, tech workplaces). His sentence quietly defends that slower tempo against a culture that rewards hot takes and rapid churn. By making time the unit of measurement, he’s arguing that seriousness is not a tone; it’s a schedule.
The intent is partly practical advice and partly boundary-setting. Kidder is telling aspiring writers that “topic” is not a brainstorm; it’s a life arrangement with consequences. The subtext is that most ideas don’t deserve you. If the decision carries a two- to three-year price tag, you become ruthlessly selective, not precious. It also hints at what reporting actually demands: relationships maintained, trust earned, facts checked and rechecked, drafts rewritten until the initial premise has been challenged by reality.
Context matters: Kidder built a career on long-form nonfiction that lives or dies on proximity to people and systems (schools, hospitals, tech workplaces). His sentence quietly defends that slower tempo against a culture that rewards hot takes and rapid churn. By making time the unit of measurement, he’s arguing that seriousness is not a tone; it’s a schedule.
Quote Details
| Topic | Career |
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