"When I severe my connections with the A.I.A. I do so with my own self respect, as a matter of pride and I am sure within your knowledge of my character"
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A professional breakup letter dressed as a character reference, Walker's line turns resignation into architecture: a carefully load-bearing statement meant to keep his reputation standing after he walks away. The verb "severe" (rather than the cleaner "sever") adds an almost bodily violence to the act, as if ties to the A.I.A. aren't merely being cut but painfully torn. That choice matters because it frames departure not as administrative housekeeping but as moral necessity.
The center of gravity is "my own self respect". Walker isn't arguing policy; he's asserting that continued affiliation would be an insult to his identity as a professional. "As a matter of pride" doubles down, but pride here isn't vanity so much as the currency of early-20th-century prestige culture, when institutional membership functioned as a stamp of legitimacy in a field still policing its boundaries.
The real dagger is the final clause: "I am sure within your knowledge of my character". It's a social move as much as a rhetorical one. He's telling the recipients: you know me, and because you know me, you must know I'm not acting rashly. That implicitly shifts blame onto the organization without having to name names or allegations. In the world of professional associations, especially in architecture where networks and commissions hinge on perception, this is a strategic exit: he preserves dignity, signals a grievance, and dares the institution to contradict his "character" in public.
The center of gravity is "my own self respect". Walker isn't arguing policy; he's asserting that continued affiliation would be an insult to his identity as a professional. "As a matter of pride" doubles down, but pride here isn't vanity so much as the currency of early-20th-century prestige culture, when institutional membership functioned as a stamp of legitimacy in a field still policing its boundaries.
The real dagger is the final clause: "I am sure within your knowledge of my character". It's a social move as much as a rhetorical one. He's telling the recipients: you know me, and because you know me, you must know I'm not acting rashly. That implicitly shifts blame onto the organization without having to name names or allegations. In the world of professional associations, especially in architecture where networks and commissions hinge on perception, this is a strategic exit: he preserves dignity, signals a grievance, and dares the institution to contradict his "character" in public.
Quote Details
| Topic | Respect |
|---|---|
| Source | Help us find the source |
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