"When I started out in Canada, I did a lot of voice-overs and commercials"
About this Quote
There’s a quiet flex hiding in Andrea Martin’s matter-of-fact line: the origin story isn’t glamorous, it’s practical. “Started out” frames a career as something built, not discovered, and “in Canada” signals both geography and industry hierarchy - the familiar reality that Canadian performers often begin in a smaller, quieter market adjacent to the U.S. megaphone. The sentence doesn’t beg for sympathy; it normalizes the grind.
Voice-overs and commercials are the entertainment world’s unromantic bread-and-butter, jobs that prize versatility and discipline over auteur mystique. The subtext is craft: learning timing, clarity, character in seconds, selling a mood with nothing but breath and cadence. For an actor known for comedic precision, that background reads like training in micro-performance, where every syllable has to land because you don’t get a second take with the audience. It also hints at a specific kind of hustle that working actors understand: you take the gigs that exist, you build your instrument, you pay rent, you keep moving.
Culturally, it’s a rebuke to the myth that careers in show business arrive fully formed through “breaks” and big roles. Martin’s phrasing makes the early work sound ordinary because it was - and because treating it as ordinary is how you survive it. The line carries the confidence of someone who’s past needing to romanticize struggle, and secure enough to credit the unsexy jobs that quietly made the later ones possible.
Voice-overs and commercials are the entertainment world’s unromantic bread-and-butter, jobs that prize versatility and discipline over auteur mystique. The subtext is craft: learning timing, clarity, character in seconds, selling a mood with nothing but breath and cadence. For an actor known for comedic precision, that background reads like training in micro-performance, where every syllable has to land because you don’t get a second take with the audience. It also hints at a specific kind of hustle that working actors understand: you take the gigs that exist, you build your instrument, you pay rent, you keep moving.
Culturally, it’s a rebuke to the myth that careers in show business arrive fully formed through “breaks” and big roles. Martin’s phrasing makes the early work sound ordinary because it was - and because treating it as ordinary is how you survive it. The line carries the confidence of someone who’s past needing to romanticize struggle, and secure enough to credit the unsexy jobs that quietly made the later ones possible.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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