"When I started writing it was kind of hard getting people to do my stuff. They' say they couldn't do my style"
About this Quote
Early success in pop music is supposed to look effortless; Otis Blackwell reminds you it’s usually a fight for basic belief. “It was kind of hard getting people to do my stuff” is the weary understatement of a working songwriter trying to push new DNA into an industry that runs on imitation. The follow-up - “They’d say they couldn’t do my style” - sounds like a compliment until you hear the dodge inside it. “Can’t” often means won’t: labels, producers, and singers protecting their personas, their ranges, and, more pointedly, their marketability.
Blackwell wrote at the moment when rhythm and blues was bleeding into mainstream rock ’n’ roll, when the music’s engine was Black innovation and the gatekeepers were frequently white executives and performers deciding what was “deliverable.” So “couldn’t do my style” carries a double subtext. On one level it’s technical: his writing demanded a particular swagger, phrasing, and rhythmic bite - a conversational melody that sits in the pocket, not on top of it. On another level it’s cultural: style as a coded word for identity, for a sound that felt too raw, too sexual, too Black to be safely translated.
The line also reveals Blackwell’s quiet power. If nobody “could” do it, the work was singular; it forced the industry either to stretch or to substitute. That tension is basically the story of early rock: songs built for voices that weren’t always the ones allowed to introduce them to America. Blackwell’s frustration reads, now, like a backhanded proof of authorship. He wasn’t writing interchangeable tunes; he was writing a style people had to earn.
Blackwell wrote at the moment when rhythm and blues was bleeding into mainstream rock ’n’ roll, when the music’s engine was Black innovation and the gatekeepers were frequently white executives and performers deciding what was “deliverable.” So “couldn’t do my style” carries a double subtext. On one level it’s technical: his writing demanded a particular swagger, phrasing, and rhythmic bite - a conversational melody that sits in the pocket, not on top of it. On another level it’s cultural: style as a coded word for identity, for a sound that felt too raw, too sexual, too Black to be safely translated.
The line also reveals Blackwell’s quiet power. If nobody “could” do it, the work was singular; it forced the industry either to stretch or to substitute. That tension is basically the story of early rock: songs built for voices that weren’t always the ones allowed to introduce them to America. Blackwell’s frustration reads, now, like a backhanded proof of authorship. He wasn’t writing interchangeable tunes; he was writing a style people had to earn.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
More Quotes by Otis
Add to List






