"When I stopped touring in the early '80s for a few years, it was a mistake looking back. I lost touch with my audience in a way and I think that was a bad career move"
About this Quote
There is something bracingly unglamorous about a rock sophisticate admitting that the grand gesture of stepping away was, in plain business terms, a blunder. Ferry frames the early '80s pause not as a romantic retreat for art’s sake, but as a lapse in a relationship that has to be maintained. “Lost touch” is the key phrase: it treats the audience less like a faceless market and more like a living circuit you have to stay wired into, or the current goes.
The context matters. Ferry’s persona with Roxy Music and beyond traded in polish, distance, and control; the idea of vanishing for a while even fits the brand of the inscrutable aesthete. But the quote punctures that mythology. It suggests he learned that mystique doesn’t age well if it isn’t continually refreshed in public. Pop culture is punitive about absence: scenes change, tastes mutate, younger acts fill the oxygen, and your own back catalog can start to feel like a museum exhibit rather than a living repertoire.
There’s also an implicit critique of the old-rock-star fantasy that “the work will speak for itself.” Ferry is admitting that visibility is part of the work. Touring isn’t just revenue or promotion; it’s feedback, calibration, proof of relevance. Calling it “a bad career move” reads like hard-earned humility, but also like an artist acknowledging the modern contract: if you stop showing up, the audience doesn’t wait - it rewrites its loyalties.
The context matters. Ferry’s persona with Roxy Music and beyond traded in polish, distance, and control; the idea of vanishing for a while even fits the brand of the inscrutable aesthete. But the quote punctures that mythology. It suggests he learned that mystique doesn’t age well if it isn’t continually refreshed in public. Pop culture is punitive about absence: scenes change, tastes mutate, younger acts fill the oxygen, and your own back catalog can start to feel like a museum exhibit rather than a living repertoire.
There’s also an implicit critique of the old-rock-star fantasy that “the work will speak for itself.” Ferry is admitting that visibility is part of the work. Touring isn’t just revenue or promotion; it’s feedback, calibration, proof of relevance. Calling it “a bad career move” reads like hard-earned humility, but also like an artist acknowledging the modern contract: if you stop showing up, the audience doesn’t wait - it rewrites its loyalties.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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