"When I walk into an Orthodox Church... one is immediately aware that one has stepped into the presence of what St. Paul would call the whole family in heaven and earth. You have stepped into the precincts of heaven!"
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Howard’s sentence works by refusing the modern habit of treating religion as either private therapy or tasteful heritage. He writes as someone trying to name an experience that feels bigger than individual belief: the jolt of crossing a threshold and sensing a world already in progress. “When I walk into an Orthodox Church” is almost aggressively ordinary, a simple bodily action. Then he drops the metaphysical weight all at once: “the whole family in heaven and earth.” The effect is rhetorical escalation that mimics the experience he’s describing: you enter as a lone person and are suddenly outnumbered.
The St. Paul reference is doing quiet but decisive work. It imports a Pauline vision of a cosmos knit together across time, death, and geography, and it turns the church building into a live intersection rather than a symbolic reminder. Howard isn’t arguing doctrine so much as making a claim about atmosphere: Orthodoxy, in his telling, doesn’t mainly persuade; it surrounds. “Immediately aware” implies the senses lead and the intellect follows, a subtle pushback against Christianity as mere proposition.
The subtext is also a cultural critique. In a secular age that flattens spaces into multipurpose venues, Howard insists on “precincts,” a word of borders and jurisdiction. You’re not just visiting a sanctuary; you’re entering territory governed by another order. Even the second-person address (“You have stepped…”) recruits the reader into the moment, as if disbelief is, for a beat, irrelevant. The intent is invitation by vivid certainty: not “imagine heaven,” but “notice where you are.”
The St. Paul reference is doing quiet but decisive work. It imports a Pauline vision of a cosmos knit together across time, death, and geography, and it turns the church building into a live intersection rather than a symbolic reminder. Howard isn’t arguing doctrine so much as making a claim about atmosphere: Orthodoxy, in his telling, doesn’t mainly persuade; it surrounds. “Immediately aware” implies the senses lead and the intellect follows, a subtle pushback against Christianity as mere proposition.
The subtext is also a cultural critique. In a secular age that flattens spaces into multipurpose venues, Howard insists on “precincts,” a word of borders and jurisdiction. You’re not just visiting a sanctuary; you’re entering territory governed by another order. Even the second-person address (“You have stepped…”) recruits the reader into the moment, as if disbelief is, for a beat, irrelevant. The intent is invitation by vivid certainty: not “imagine heaven,” but “notice where you are.”
Quote Details
| Topic | Faith |
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