"When I was at school I used to scream in trains, in those concertina things between the carriages. I used to try to be so good that sometimes I couldn't bear it any more"
About this Quote
There is something deliciously improper about a well-behaved girl choosing the accordion-guts of a train as her confessional booth. Birkin frames childhood not as innocence, but as pressure: the kind that builds when you are praised for being “good” and quietly punished for being anything else. The image does the heavy lifting. Those concertina connections are liminal spaces - neither carriage nor platform, public but easily ignored - perfect for a private rupture performed in full view. It is mischief with plausible deniability, a scream swallowed by motion and machinery.
The second sentence is the real tell: “I used to try to be so good…” flips goodness from virtue into performance. Birkin isn’t describing bad behavior; she’s describing the psychological claustrophobia of compliance. The scream becomes a pressure valve, the body insisting on taking up space when manners demand smallness. “Sometimes I couldn’t bear it any more” gives the game away: this isn’t a tantrum, it’s relief.
Coming from Birkin - an actress whose cultural legacy includes being mythologized as both muse and blank canvas - the anecdote reads like an origin story for that later persona. The public learned to project onto her; the child learned to disappear into being “good.” The train corridor is where that neat, feminine containment fails for a moment, loudly, before the next carriage arrives and the performance resumes.
The second sentence is the real tell: “I used to try to be so good…” flips goodness from virtue into performance. Birkin isn’t describing bad behavior; she’s describing the psychological claustrophobia of compliance. The scream becomes a pressure valve, the body insisting on taking up space when manners demand smallness. “Sometimes I couldn’t bear it any more” gives the game away: this isn’t a tantrum, it’s relief.
Coming from Birkin - an actress whose cultural legacy includes being mythologized as both muse and blank canvas - the anecdote reads like an origin story for that later persona. The public learned to project onto her; the child learned to disappear into being “good.” The train corridor is where that neat, feminine containment fails for a moment, loudly, before the next carriage arrives and the performance resumes.
Quote Details
| Topic | Youth |
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