"When I was in my twenties, it felt like I was riding wild horses, and I was hoping I didn't go over a cliff"
About this Quote
There’s a whole career arc packed into that one image: speed, power, glamour, and the constant possibility of catastrophe. Chaka Khan doesn’t dress up her twenties as a tidy “coming-of-age” montage; she frames them as survival. “Riding wild horses” isn’t just youthful energy. It implies talent that’s bigger than your steering wheel, momentum you didn’t fully choose, and a world that cheers you on precisely because it looks dangerous.
The cliff line is the tell. It’s not fear of failure so much as fear of consequences: addiction, exploitation, burnout, the industry’s appetite for spectacle, the way Black women performers are often asked to be superhuman until they collapse. Khan came up in an era when funk and soul demanded intensity and when fame moved fast without today’s guardrails (or at least today’s public vocabulary) for mental health, substance use, and control over one’s image. The metaphor lands because it’s physical: you can feel the animal under you, the wind, the near-misses. It turns the abstract chaos of early stardom into a scene you can picture.
Subtextually, it’s also a quiet flex. You don’t ride wild horses unless you can ride. She’s acknowledging volatility without surrendering agency. The hope of not going over the cliff is humble, but it’s also defiant: I knew the drop was there, and I kept going anyway. That’s a musician’s biography distilled into a stunt you only attempt because the music is worth the risk.
The cliff line is the tell. It’s not fear of failure so much as fear of consequences: addiction, exploitation, burnout, the industry’s appetite for spectacle, the way Black women performers are often asked to be superhuman until they collapse. Khan came up in an era when funk and soul demanded intensity and when fame moved fast without today’s guardrails (or at least today’s public vocabulary) for mental health, substance use, and control over one’s image. The metaphor lands because it’s physical: you can feel the animal under you, the wind, the near-misses. It turns the abstract chaos of early stardom into a scene you can picture.
Subtextually, it’s also a quiet flex. You don’t ride wild horses unless you can ride. She’s acknowledging volatility without surrendering agency. The hope of not going over the cliff is humble, but it’s also defiant: I knew the drop was there, and I kept going anyway. That’s a musician’s biography distilled into a stunt you only attempt because the music is worth the risk.
Quote Details
| Topic | Youth |
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