"When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me"
About this Quote
There is a quiet ego-check baked into Gary Cherone's memory: the admission that raw talent wasn't the whole story, that the most famous guitar player in the room also functioned like a coach who could rewrite your sense of what your own body can do. In rock culture, singers are supposed to be natural forces - born with the throat, the swagger, the myth. Cherone flips that script. The flex isn't "I could", it's "I didn't know I could until Eddie made it unavoidable."
The key phrase is "out of my range". Range is literal, but it's also a proxy for identity. Cherone wasn't just chasing higher notes; he was stepping into Van Halen's particular physics, a band whose legacy is built on excess, altitude, and spectacle. Coming in after David Lee Roth and Sammy Hagar, he carried the pressure of inheriting a vocal lineage that fans treated like scripture. Saying he "never went for those registers before" signals a performer confronting his own habits - the safe choices that become style. Eddie Van Halen becomes the catalyst who disrupts that comfort, "pulled it out of me" framing artistry as extraction, not expression.
It also reads as a subtle reframing of that much-debated era: instead of arguing whether Cherone "fit", he points to the more interesting metric - what the collaboration demanded and produced. The subtext is generous and slightly defensive: if the result sounded different, it was because the band was asking for something newly exposed, not because he lacked the goods.
The key phrase is "out of my range". Range is literal, but it's also a proxy for identity. Cherone wasn't just chasing higher notes; he was stepping into Van Halen's particular physics, a band whose legacy is built on excess, altitude, and spectacle. Coming in after David Lee Roth and Sammy Hagar, he carried the pressure of inheriting a vocal lineage that fans treated like scripture. Saying he "never went for those registers before" signals a performer confronting his own habits - the safe choices that become style. Eddie Van Halen becomes the catalyst who disrupts that comfort, "pulled it out of me" framing artistry as extraction, not expression.
It also reads as a subtle reframing of that much-debated era: instead of arguing whether Cherone "fit", he points to the more interesting metric - what the collaboration demanded and produced. The subtext is generous and slightly defensive: if the result sounded different, it was because the band was asking for something newly exposed, not because he lacked the goods.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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