"When I was starting out, young actresses had the studio system to protect them. Now you have a host of sharks, from your agent to your publicist to your lawyer"
About this Quote
Annis delivers a quiet indictment disguised as career advice, and the bite is in her choice of ecosystem: protection versus predation. The old studio system, for all its notorious control, is framed here as paternalistic armor - a flawed institution that at least acknowledged duty of care (and liability) for the young women it profited from. In her telling, that world has been replaced by a marketplace of freelancers whose incentives are clean, personal, and misaligned: they don’t “manage” you so much as feed off you.
The line works because it reverses a common narrative. We’re used to treating the collapse of studio power as liberation: more autonomy, more choice, less contract bondage. Annis doesn’t romanticize the past so much as underline what got lost in the transition: a single accountable structure. When everyone is “on your side” for a percentage, accountability dissolves into plausible deniability. If the project goes wrong or the press turns ugly, there’s no parent company to answer for the fallout - only a chain of intermediaries who can shrug and invoice.
Her subtext is also gendered without being didactic. “Young actresses” is the pressure point: fame arrives early, money can be irregular, and the body is part of the product. That’s prime terrain for people selling access, protection, and brand “strategy.” Read in a post-#MeToo, influencer-era context, the “sharks” aren’t just predators in the sexual sense; they’re reputational and financial predators too. Annis is warning that the modern machine doesn’t exploit you by owning you outright - it does it by slicing you into billable pieces.
The line works because it reverses a common narrative. We’re used to treating the collapse of studio power as liberation: more autonomy, more choice, less contract bondage. Annis doesn’t romanticize the past so much as underline what got lost in the transition: a single accountable structure. When everyone is “on your side” for a percentage, accountability dissolves into plausible deniability. If the project goes wrong or the press turns ugly, there’s no parent company to answer for the fallout - only a chain of intermediaries who can shrug and invoice.
Her subtext is also gendered without being didactic. “Young actresses” is the pressure point: fame arrives early, money can be irregular, and the body is part of the product. That’s prime terrain for people selling access, protection, and brand “strategy.” Read in a post-#MeToo, influencer-era context, the “sharks” aren’t just predators in the sexual sense; they’re reputational and financial predators too. Annis is warning that the modern machine doesn’t exploit you by owning you outright - it does it by slicing you into billable pieces.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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