"When I worked in Los Angeles covering hard news, very often when something important would happen I'd be off in the woods covering something unimportant, which was more interesting to me"
About this Quote
Kuralt is confessing to a kind of journalistic heresy: that the “important” story is often the least alive. The line lands because it inverts newsroom piety. Hard news in Los Angeles implies spectacle and urgency - disasters, crimes, celebrity-adjacent scandals - the stuff that’s supposed to matter. Yet his attention keeps drifting “off in the woods,” a deliberately pastoral image that contrasts with the city’s churn. The joke isn’t that he was lazy; it’s that he was allergic to the assignment’s implied values.
The subtext is a quiet indictment of how institutions define significance. “Something important would happen” is phrased like a weather report, as if importance is an external force everyone agrees on. Kuralt punctures that consensus with a personal metric: “unimportant, which was more interesting to me.” Interesting becomes a rival category to important, and in his worldview it wins. That’s not mere contrarianism; it’s a philosophy of reporting that treats human texture as a form of truth, not garnish.
Context matters: Kuralt became beloved for “On the Road,” his roaming portraits of small-town America. This quote reads like the origin story of that sensibility - a reporter discovering that the overlooked can be more revealing than the headline. The woods are where you find people without scripts, where the stakes are smaller but the observations are sharper. He’s admitting that his compass wasn’t calibrated for the official drama of power; it was tuned to the sidelanes, where meaning hides in plain sight.
The subtext is a quiet indictment of how institutions define significance. “Something important would happen” is phrased like a weather report, as if importance is an external force everyone agrees on. Kuralt punctures that consensus with a personal metric: “unimportant, which was more interesting to me.” Interesting becomes a rival category to important, and in his worldview it wins. That’s not mere contrarianism; it’s a philosophy of reporting that treats human texture as a form of truth, not garnish.
Context matters: Kuralt became beloved for “On the Road,” his roaming portraits of small-town America. This quote reads like the origin story of that sensibility - a reporter discovering that the overlooked can be more revealing than the headline. The woods are where you find people without scripts, where the stakes are smaller but the observations are sharper. He’s admitting that his compass wasn’t calibrated for the official drama of power; it was tuned to the sidelanes, where meaning hides in plain sight.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
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