"When I'm on stage the savage in me is released. It's like going back to being a cave man. It takes me six hours to come down after a show"
About this Quote
Angus Young isn’t describing a mood; he’s describing a controlled possession. The “savage” and “cave man” language is deliberately blunt, almost cartoonish, because AC/DC’s whole proposition is blunt-force rock: riffs like blunt tools, charisma like sweat, not theory. He frames performance as regression, a return to something pre-verbal and bodily. That’s not self-mythology by accident; it’s a defense of rock as physical labor, not polite entertainment. The stage becomes a sanctioned space where modern restraint is suspended and instinct is rewarded.
The subtext is also about craft. “Released” implies the beast is contained the rest of the time. Young’s schoolboy-uniform act is often read as shtick, but this quote hints at the mechanism behind it: a costume that gives him permission to go feral on command. “Cave man” isn’t ignorance; it’s simplification. Strip life down to rhythm, volume, repetition, adrenaline. That’s the AC/DC aesthetic made psychological.
And the six-hour comedown is the tell that this isn’t just branding. It nods to the physiology of performance: the post-show crash, the nervous system stuck in fight-or-flight, the body still trying to burn off a high it generated itself. In an era that increasingly asks artists to be relatable, mindful, and constantly online, Young champions something older and less explainable: transformation. The cost is real, the aftermath lingers, and that lingering is part of the proof that the ritual worked.
The subtext is also about craft. “Released” implies the beast is contained the rest of the time. Young’s schoolboy-uniform act is often read as shtick, but this quote hints at the mechanism behind it: a costume that gives him permission to go feral on command. “Cave man” isn’t ignorance; it’s simplification. Strip life down to rhythm, volume, repetition, adrenaline. That’s the AC/DC aesthetic made psychological.
And the six-hour comedown is the tell that this isn’t just branding. It nods to the physiology of performance: the post-show crash, the nervous system stuck in fight-or-flight, the body still trying to burn off a high it generated itself. In an era that increasingly asks artists to be relatable, mindful, and constantly online, Young champions something older and less explainable: transformation. The cost is real, the aftermath lingers, and that lingering is part of the proof that the ritual worked.
Quote Details
| Topic | Music |
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