"When I'm singing I try not be a singer with a capital S. I just try to get it out so I feel comfortable with it"
About this Quote
Wyatt’s line is a quiet manifesto against the whole machinery of “Singer” as a job title: the capital letter is doing real work here, turning a human act into a role, a brand, a product. He’s pushing back on the expectation that singing must arrive pre-packaged with virtuosity, projection, and a certain kind of tasteful confidence. Instead, he frames singing as release rather than performance: “get it out” suggests something bodily, urgent, even slightly embarrassing. The goal isn’t to impress; it’s to settle into the sound until it stops feeling like an imposture.
That’s a revealing stance from an artist whose voice has often been described as fragile, intimate, almost conversational. Wyatt came up in scenes where technical “proper” singing wasn’t the point and, after his life-altering injury in the early 1970s, the politics of control and mastery became even more charged. The quote carries the subtext of survival: comfort isn’t laziness, it’s a way of making art inside real limits, refusing the idea that only certain bodies and certain timbres get to count as legitimate.
There’s also a sly cultural critique: pop culture loves to crown Great Singers, then punish anyone who sounds idiosyncratic or emotionally naked. Wyatt flips that script. He’s not trying to be capital-S anything. He’s trying to make a sound he can live in. That modesty is the provocation. It redefines authenticity not as a marketing claim, but as a private alignment between feeling and voice.
That’s a revealing stance from an artist whose voice has often been described as fragile, intimate, almost conversational. Wyatt came up in scenes where technical “proper” singing wasn’t the point and, after his life-altering injury in the early 1970s, the politics of control and mastery became even more charged. The quote carries the subtext of survival: comfort isn’t laziness, it’s a way of making art inside real limits, refusing the idea that only certain bodies and certain timbres get to count as legitimate.
There’s also a sly cultural critique: pop culture loves to crown Great Singers, then punish anyone who sounds idiosyncratic or emotionally naked. Wyatt flips that script. He’s not trying to be capital-S anything. He’s trying to make a sound he can live in. That modesty is the provocation. It redefines authenticity not as a marketing claim, but as a private alignment between feeling and voice.
Quote Details
| Topic | Music |
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