"When I'm writing the book I'm laughing at just how overblown the characters seemed. How full of himself he seems. But I didn't get far enough in the series to really drive the joke of it home"
About this Quote
There is a particular kind of creator-laughter that isn’t joy so much as demolition: the sound of a writer watching a character’s self-mythology inflate and waiting for the pin. Jhonen Vasquez, a cartoonist steeped in grotesque exaggeration and adolescent doom-comedy, is describing a process where the punchline isn’t a one-liner, it’s structure. The character is “overblown” and “full of himself,” not by accident but by design; the humor comes from letting that self-importance exist long enough to become ridiculous on its own terms.
What makes the quote work is its candor about unfinished satire. Vasquez admits he “didn’t get far enough” to “drive the joke…home,” which quietly reveals the risk of extended parody: it requires stamina, escalation, and payoff. Without the later turns, the character’s grandiosity can read as mere characterization rather than critique. In other words, satire has a runtime. If you bail early, you’re left with an obnoxious guy on the page instead of an obnoxious guy being skinned alive by the narrative.
The subtext is about control and complicity. A creator can delight in a character’s delusions while also recognizing how easily audiences (and writers) can start admiring the very ego they meant to mock. Vasquez is naming that tightrope: the joke isn’t just that the character is insufferable; it’s that self-importance is persuasive unless the story actively defeats it.
What makes the quote work is its candor about unfinished satire. Vasquez admits he “didn’t get far enough” to “drive the joke…home,” which quietly reveals the risk of extended parody: it requires stamina, escalation, and payoff. Without the later turns, the character’s grandiosity can read as mere characterization rather than critique. In other words, satire has a runtime. If you bail early, you’re left with an obnoxious guy on the page instead of an obnoxious guy being skinned alive by the narrative.
The subtext is about control and complicity. A creator can delight in a character’s delusions while also recognizing how easily audiences (and writers) can start admiring the very ego they meant to mock. Vasquez is naming that tightrope: the joke isn’t just that the character is insufferable; it’s that self-importance is persuasive unless the story actively defeats it.
Quote Details
| Topic | Writing |
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