"When it comes down to it, it's giving people a good night out in a basic way and I think my company guarantees that. There's always something new and something to excite us and surprise us, and that's why people come back, I hope"
About this Quote
Entertainment gets a bad rap in high-culture circles, but Bourne treats "a good night out" like a moral obligation. The phrase is pointedly modest: not art that changes your life, not choreography as theory, just a reliable hit of pleasure delivered "in a basic way". That humility is strategic. It frames his work as public-facing, built for audiences who buy tickets with expectations, not grant panels hunting for innovation on paper.
Then comes the businesslike pivot: "my company guarantees that". Bourne is a dancer-choreographer, but he speaks like a producer. The subtext is that live performance is a contract. You give us your time, money, attention; we give you clarity, momentum, and payoff. It's a quietly radical stance in a field that often asks viewers to feel guilty for wanting to be entertained.
The line about "something new and something to excite us and surprise us" reveals the deeper engine: novelty as renewal. He isn't promising disruption for its own sake; he's promising freshness within familiarity, the kind that makes mainstream audiences feel respected rather than lectured. It's also a tell about Bourne's broader cultural position: the choreographer who smuggles reinvention into accessible forms, turning ballet and theatrical dance into pop-level events without sanding off their craft.
"I hope" at the end softens the sales pitch into something human. After all the guarantee-talk, he admits the one thing you can't manufacture: the audience's decision to return.
Then comes the businesslike pivot: "my company guarantees that". Bourne is a dancer-choreographer, but he speaks like a producer. The subtext is that live performance is a contract. You give us your time, money, attention; we give you clarity, momentum, and payoff. It's a quietly radical stance in a field that often asks viewers to feel guilty for wanting to be entertained.
The line about "something new and something to excite us and surprise us" reveals the deeper engine: novelty as renewal. He isn't promising disruption for its own sake; he's promising freshness within familiarity, the kind that makes mainstream audiences feel respected rather than lectured. It's also a tell about Bourne's broader cultural position: the choreographer who smuggles reinvention into accessible forms, turning ballet and theatrical dance into pop-level events without sanding off their craft.
"I hope" at the end softens the sales pitch into something human. After all the guarantee-talk, he admits the one thing you can't manufacture: the audience's decision to return.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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