"When Jane and I spoke out, people thought, What ungrateful children those two kids are to be that nasty about their father"
About this Quote
The sting in Peter Fonda's line isn’t in the complaint; it’s in the way he reenacts the crowd’s verdict. “What ungrateful children” lands like a prewritten script, the kind families in the public eye get trapped inside: the parent is a legend, the kids are footnotes, and any deviation from the flattering narrative reads as betrayal. Fonda isn’t just recalling criticism. He’s exposing a cultural reflex to police children’s loyalty, especially when the father is famous enough to be treated as a public asset.
The specificity matters. He names Jane, immediately framing this as a sibling alliance against an external chorus. Then he undercuts his own adulthood with “those two kids,” borrowing the audience’s diminishing language to show how celebrity can freeze people in a permanent role: not witnesses, not survivors, not autonomous adults, but “kids” who should know their place. The phrase “be that nasty” is doing social work, too; it paints dissent as impoliteness rather than testimony, shifting the debate from what was said to whether they had the right to say it.
Contextually, the Fondas sit at the crossroads of Hollywood mythology and real family mess. Henry Fonda’s cultural halo makes it easier for outsiders to demand gratitude than to tolerate complexity. Peter’s intent is blunt: to mark how fame turns private pain into a PR problem, and how the public often protects icons by indicting the people closest to them.
The specificity matters. He names Jane, immediately framing this as a sibling alliance against an external chorus. Then he undercuts his own adulthood with “those two kids,” borrowing the audience’s diminishing language to show how celebrity can freeze people in a permanent role: not witnesses, not survivors, not autonomous adults, but “kids” who should know their place. The phrase “be that nasty” is doing social work, too; it paints dissent as impoliteness rather than testimony, shifting the debate from what was said to whether they had the right to say it.
Contextually, the Fondas sit at the crossroads of Hollywood mythology and real family mess. Henry Fonda’s cultural halo makes it easier for outsiders to demand gratitude than to tolerate complexity. Peter’s intent is blunt: to mark how fame turns private pain into a PR problem, and how the public often protects icons by indicting the people closest to them.
Quote Details
| Topic | Father |
|---|---|
| Source | Help us find the source |
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