"When men stop believing in God, it isn't that they then believe in nothing: they believe in everything"
About this Quote
Eco’s sting here is aimed less at atheism than at mental vacancy dressed up as liberation. The line flips a familiar panic - that losing God means drifting into nihilism - into a more unsettling diagnosis: the real danger is credulity. Not the cold emptiness of “nothing,” but the overheated marketplace of “everything,” where superstition, conspiracy, pseudoscience, and brand-new myths rush in to occupy the space once disciplined by a single metaphysical frame.
The sentence works because it’s structured like a trapdoor. It begins with a premise most modern readers recognize (faith declines; meaning wobbles), then drops you into a paradox: disbelief doesn’t slim the world down, it makes it obese. Eco, the semiotician-novelist, is always alert to how signs multiply when there’s no agreed authority to stop them. “Everything” isn’t pluralism in the flattering sense; it’s a chaotic openness where any story can masquerade as truth because no story is accountable to a shared standard.
Context matters: Eco wrote about medieval theology and modern mass culture with equal suspicion, tracking how institutions manufacture belief - and how people, craving pattern, collaborate. The subtext is a critique of the modern subject who fancies themselves free of dogma while bingeing on softer dogmas: wellness mysticism, political cults, algorithm-fed paranoia. Eco’s irony is that secular modernity doesn’t abolish religion; it atomizes it, turning belief into a hobby and truth into a vibe.
The sentence works because it’s structured like a trapdoor. It begins with a premise most modern readers recognize (faith declines; meaning wobbles), then drops you into a paradox: disbelief doesn’t slim the world down, it makes it obese. Eco, the semiotician-novelist, is always alert to how signs multiply when there’s no agreed authority to stop them. “Everything” isn’t pluralism in the flattering sense; it’s a chaotic openness where any story can masquerade as truth because no story is accountable to a shared standard.
Context matters: Eco wrote about medieval theology and modern mass culture with equal suspicion, tracking how institutions manufacture belief - and how people, craving pattern, collaborate. The subtext is a critique of the modern subject who fancies themselves free of dogma while bingeing on softer dogmas: wellness mysticism, political cults, algorithm-fed paranoia. Eco’s irony is that secular modernity doesn’t abolish religion; it atomizes it, turning belief into a hobby and truth into a vibe.
Quote Details
| Topic | Faith |
|---|---|
| Source | Help us find the source |
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