"When my kids are in college, maybe I'll drag my fishnets and high heels out"
About this Quote
It lands like a wink from someone who’s spent decades being asked to perform a version of herself on command. “When my kids are in college” isn’t just a calendar note; it’s a permission slip. Easton frames sexuality and spectacle not as something she’s renouncing, but as something she’s shelving until she’s ready to own it again on her terms. The punchline is the image: fishnets and high heels, shorthand for pop-star eroticism, stage persona, and the kind of glamour that’s always been treated as both currency and liability for women in music.
The subtext is a negotiation with respectability. Motherhood gets coded as an identity that’s supposed to cancel out “provocative” aesthetics, as if an artist can’t be both a parent and a performer without triggering pearl-clutching. Easton doesn’t argue with that double standard head-on; she sidesteps it with humor. “Maybe I’ll drag” signals both play and defiance: she’s teasing the idea that aging should tidy her up, while also acknowledging the real social cost of being seen as “too much” at the wrong moment.
Context matters. Easton came up in an era when female pop careers were tightly managed and relentlessly policed - image, desire, decorum. This line reads as a veteran’s backstage aside, aimed at the culture that loves a sexy pop star but punishes her for wanting a life offstage. The joke works because it’s not really about clothes; it’s about control.
The subtext is a negotiation with respectability. Motherhood gets coded as an identity that’s supposed to cancel out “provocative” aesthetics, as if an artist can’t be both a parent and a performer without triggering pearl-clutching. Easton doesn’t argue with that double standard head-on; she sidesteps it with humor. “Maybe I’ll drag” signals both play and defiance: she’s teasing the idea that aging should tidy her up, while also acknowledging the real social cost of being seen as “too much” at the wrong moment.
Context matters. Easton came up in an era when female pop careers were tightly managed and relentlessly policed - image, desire, decorum. This line reads as a veteran’s backstage aside, aimed at the culture that loves a sexy pop star but punishes her for wanting a life offstage. The joke works because it’s not really about clothes; it’s about control.
Quote Details
| Topic | Parenting |
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