"When Niki and I moved to Paris, there was also the challenge of Paris, an extremely daunting city"
About this Quote
Paris is usually sold as a backdrop: romance, art, a ready-made identity you can slip on like a scarf. Mathews flips that postcard. By calling it "the challenge of Paris", he frames the city less as a setting than as an opponent: a place that tests your competence, your taste, your language, your right to belong. The repetition in "also the challenge of Paris" and then "an extremely daunting city" is doing quiet work. It’s not lyrical; it’s procedural, almost bureaucratic, as if he’s filing Paris under obstacles alongside rent, visas, and relationships. That flatness is the point: intimidation becomes a daily logistical fact.
The line’s subtext is couplehood under pressure. Naming "Niki and I" signals that the move isn’t an individual adventure but a shared project with a private weather system. Paris, in this telling, doesn’t just judge the newcomer; it judges the partnership, the resilience, the ability to build a life amid a culture that has strong opinions about how life should be lived.
Context matters, too: Mathews is an American writer who gravitated toward formal games and intellectual constraint (Oulipo-adjacent, Paris-haunted literary circles). For that kind of artist, Paris isn’t merely inspiring; it’s competitive, a city where tradition can feel like surveillance and where the myth of the expat risks turning into self-parody. The sentence lands because it refuses mythmaking. It admits the glamour tax: the price of entry is feeling small.
The line’s subtext is couplehood under pressure. Naming "Niki and I" signals that the move isn’t an individual adventure but a shared project with a private weather system. Paris, in this telling, doesn’t just judge the newcomer; it judges the partnership, the resilience, the ability to build a life amid a culture that has strong opinions about how life should be lived.
Context matters, too: Mathews is an American writer who gravitated toward formal games and intellectual constraint (Oulipo-adjacent, Paris-haunted literary circles). For that kind of artist, Paris isn’t merely inspiring; it’s competitive, a city where tradition can feel like surveillance and where the myth of the expat risks turning into self-parody. The sentence lands because it refuses mythmaking. It admits the glamour tax: the price of entry is feeling small.
Quote Details
| Topic | New Beginnings |
|---|---|
| Source | Help us find the source |
More Quotes by Harry
Add to List







