"When really you've gone to drama school and rep and then you've come to London and gone to auditions and you've worked, solidly, for years. But that all gets forgotten"
About this Quote
There is a quiet anger baked into Ormond's phrasing: the way she stacks ordinary milestones - drama school, rep, London auditions - like receipts, then snaps to the punchline that none of it counts once the story gets packaged for consumption. She is pointing at a familiar bit of celebrity mythology: the "discovered" narrative that sells better than the slow, unglamorous truth of craft. In entertainment culture, effort is often treated as an inconvenience to the fairy tale, especially for actresses, who are routinely framed as sudden arrivals, lucky faces, or fashionable accidents rather than workers with résumes.
The intent is corrective, but not self-pitying. Ormond uses the second person ("you've") to universalize her experience, turning a personal grievance into an industry pattern. The repetition of "and" mimics the grind: one step, then another, then another. It's not poetic; it's procedural. That choice matters, because it resists the glossy language of branding and insists on labor as the real plot.
"And worked, solidly, for years" is the hinge. "Solidly" suggests something unromantic and durable, the opposite of hype. Then the final sentence lands like a shrug that doubles as an indictment: the media machine, and sometimes audiences, prefer amnesia. The subtext is about who gets to be seen as serious. Talent may get you in the room, but legitimacy is negotiated afterward - often by people who were never in that room at all.
The intent is corrective, but not self-pitying. Ormond uses the second person ("you've") to universalize her experience, turning a personal grievance into an industry pattern. The repetition of "and" mimics the grind: one step, then another, then another. It's not poetic; it's procedural. That choice matters, because it resists the glossy language of branding and insists on labor as the real plot.
"And worked, solidly, for years" is the hinge. "Solidly" suggests something unromantic and durable, the opposite of hype. Then the final sentence lands like a shrug that doubles as an indictment: the media machine, and sometimes audiences, prefer amnesia. The subtext is about who gets to be seen as serious. Talent may get you in the room, but legitimacy is negotiated afterward - often by people who were never in that room at all.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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