"When something is not good, it's bad. Period"
About this Quote
Blackmore’s line has the blunt force of a guitar pick hitting the strings: no vibrato, no soft landing, just a clean attack. “When something is not good, it’s bad. Period” reads like a throwaway tautology, but it’s really a worldview about craft and standards. In rock culture, where mythology often prizes “vibe” over precision, he’s insisting on a harsher binary: either it works or it doesn’t. There’s no protective middle category for “interesting,” “ambitious,” or “pretty good for a demo.” That’s less philosophy than work ethic.
The intent is disciplinary. Blackmore, famously exacting and not especially sentimental about band dynamics, is drawing a line that shuts down negotiation. “Not good” is often how people politely avoid conflict; he refuses the euphemism. The subtext: stop asking him to tolerate mediocrity in the name of camaraderie, experimentation, or commercial timing. “Period” is the door slam that follows a producer’s compromise, a label’s note, or a bandmate’s pleading for one more pass.
Context matters because Blackmore’s legacy is tied to control - of tone, of arrangement, of reputation. This isn’t just criticism; it’s a preemptive defense against dilution. In a world that constantly sells us half-measures as “content,” the quote works because it’s aggressively unmarketable. It dares you to either meet the bar or admit you didn’t. That severity can sound unfair, even childish, but it’s also how signature sounds get made: by refusing to call “almost” a win.
The intent is disciplinary. Blackmore, famously exacting and not especially sentimental about band dynamics, is drawing a line that shuts down negotiation. “Not good” is often how people politely avoid conflict; he refuses the euphemism. The subtext: stop asking him to tolerate mediocrity in the name of camaraderie, experimentation, or commercial timing. “Period” is the door slam that follows a producer’s compromise, a label’s note, or a bandmate’s pleading for one more pass.
Context matters because Blackmore’s legacy is tied to control - of tone, of arrangement, of reputation. This isn’t just criticism; it’s a preemptive defense against dilution. In a world that constantly sells us half-measures as “content,” the quote works because it’s aggressively unmarketable. It dares you to either meet the bar or admit you didn’t. That severity can sound unfair, even childish, but it’s also how signature sounds get made: by refusing to call “almost” a win.
Quote Details
| Topic | Truth |
|---|
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