"When the characters are really alive before their author, the latter does nothing but follow them in their action, in their words, in the situations which they suggest to him"
About this Quote
Pirandello is quietly detonating the myth of the all-powerful author. In this line, the writer isn’t a god arranging marionettes; he’s a stenographer chasing after people who insist on existing. It’s a provocative reversal of artistic hierarchy: the “characters” aren’t fabricated objects but forces with their own momentum, “really alive” in a way that makes the author’s will look almost secondary. The trick is in that mildly deflationary phrasing, “does nothing but follow” - a shrug that reads like humility and functions like a critique. If the best writing happens when the author surrenders control, then the cult of genius starts to look like an after-the-fact story we tell to flatter ourselves.
The subtext is Pirandello’s lifelong obsession: identity isn’t stable, and the self is already a performance. In his theater, characters routinely rebel against the frameworks meant to contain them (most famously in Six Characters in Search of an Author), demanding coherence, demanding to be “real,” even as reality keeps slipping. So this is also about creation as confrontation. When characters “suggest” situations to the author, Pirandello implies that art is less invention than discovery - and that discovery can be inconvenient, even terrifying, because it exposes how thin the author’s control really is.
Context matters: early 20th-century modernism is busy dismantling Victorian certainty. Pirandello turns that dismantling inward, making authorship itself a stage where authority collapses into pursuit.
The subtext is Pirandello’s lifelong obsession: identity isn’t stable, and the self is already a performance. In his theater, characters routinely rebel against the frameworks meant to contain them (most famously in Six Characters in Search of an Author), demanding coherence, demanding to be “real,” even as reality keeps slipping. So this is also about creation as confrontation. When characters “suggest” situations to the author, Pirandello implies that art is less invention than discovery - and that discovery can be inconvenient, even terrifying, because it exposes how thin the author’s control really is.
Context matters: early 20th-century modernism is busy dismantling Victorian certainty. Pirandello turns that dismantling inward, making authorship itself a stage where authority collapses into pursuit.
Quote Details
| Topic | Writing |
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