"When the generation after me started getting on the cut, a lot of them would call me over to hang out or go jam and scratch and they were always separate from each other"
About this Quote
There is a quiet origin story buried in Eric San's phrasing: not the myth of a scene exploding overnight, but the reality of a culture assembling itself in pockets. "Getting on the cut" plants you in the tactile world of turntables and razor-edged practice, where skill is earned in private hours and shared in cramped rooms. His memory of being "called... over to hang out or go jam and scratch" carries the warmth of mentorship, but it also hints at something more structural: a generation trying to build community by borrowing proximity to someone who'd already mapped the terrain.
The most telling line is the last one: "they were always separate from each other". That's not just a social observation; it's a diagnosis of an early-stage movement. Before scenes have institutions - clubs, labels, regular nights, group chats, even a shared vocabulary - they exist as isolated nodes. People know the craft, not necessarily each other. San is describing a pre-network era of musical subculture, where connection happened through personal invitation rather than public infrastructure.
The subtext is both pride and slight melancholy. He’s valued as a bridge, but the fragmentation suggests missed synergy: all that talent siloed, all those micro-communities reinventing the same wheel. In a genre obsessed with remixing and cutting, the irony is that the social "mix" hadn’t happened yet. San’s intent feels archival: to remind you that scenes are made, not found, and that the hardest part isn’t technique - it’s cohesion.
The most telling line is the last one: "they were always separate from each other". That's not just a social observation; it's a diagnosis of an early-stage movement. Before scenes have institutions - clubs, labels, regular nights, group chats, even a shared vocabulary - they exist as isolated nodes. People know the craft, not necessarily each other. San is describing a pre-network era of musical subculture, where connection happened through personal invitation rather than public infrastructure.
The subtext is both pride and slight melancholy. He’s valued as a bridge, but the fragmentation suggests missed synergy: all that talent siloed, all those micro-communities reinventing the same wheel. In a genre obsessed with remixing and cutting, the irony is that the social "mix" hadn’t happened yet. San’s intent feels archival: to remind you that scenes are made, not found, and that the hardest part isn’t technique - it’s cohesion.
Quote Details
| Topic | Friendship |
|---|
More Quotes by Eric
Add to List







