"When they look back on me I want 'em to remember me not for all my wives, although I've had a few, and certainly not for any mansions or high livin' money I made and spent. I want 'em to remember me simply for my music"
About this Quote
There is a defiant humility baked into Jerry Lee Lewis asking to be remembered "simply for my music". He’s not pleading innocence; he’s negotiating legacy. The line winks at the tabloid inventory that followed him for decades - wives, scandals, mansions, "high livin'" - then tries to shove it off the stage with a pianist’s brisk, percussive shove. The phrasing matters: "I want 'em" isn’t a PR consultant’s mantra. It’s a Southern, second-person challenge, aimed at the gawkers and moral accountants who never stopped circling his name.
The subtext is that he knows exactly what the world wants from him: a cautionary tale with good hair and bad impulse control. By naming the excesses himself ("although I’ve had a few"), he steals the audience’s easy smirk and keeps the power. It’s a classic move from an artist whose persona was always part swagger, part self-sabotage: admit the mess, then insist it isn’t the headline.
Context does the heavy lifting. Lewis came up in a moment when rock and roll was treated as both new religion and public menace, and he embodied that threat: Pentecostal fire translated into secular noise. His private life became a national morality play, and it nearly buried the work. This quote is Lewis trying to re-center the story where he believes it belongs: not on the wreckage, but on the sound that outlasts it - the pounding left hand, the grin you can hear, the sense that the song might burst into flames.
The subtext is that he knows exactly what the world wants from him: a cautionary tale with good hair and bad impulse control. By naming the excesses himself ("although I’ve had a few"), he steals the audience’s easy smirk and keeps the power. It’s a classic move from an artist whose persona was always part swagger, part self-sabotage: admit the mess, then insist it isn’t the headline.
Context does the heavy lifting. Lewis came up in a moment when rock and roll was treated as both new religion and public menace, and he embodied that threat: Pentecostal fire translated into secular noise. His private life became a national morality play, and it nearly buried the work. This quote is Lewis trying to re-center the story where he believes it belongs: not on the wreckage, but on the sound that outlasts it - the pounding left hand, the grin you can hear, the sense that the song might burst into flames.
Quote Details
| Topic | Legacy & Remembrance |
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