"When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies"
About this Quote
There is a quiet manifesto tucked into Roy Wood's matter-of-fact memory: take the most polished, assembly-line-perfect pop in Britain’s postwar imagination and rough it up until it sweats. Motown, with its immaculate grooves and choreographed control, wasn’t just a sound; it was a standard of sophistication. Wood’s twist - “playing it more in a rock way” - signals a generation of British musicians who didn’t want to merely imitate Black American music so much as rewire it for louder rooms, cheaper amps, and a youth culture that craved bite along with melody.
The detail that “everybody in the band sang” does more than paint a cozy rehearsal snapshot. It’s an argument for the band as a unit rather than a star vehicle. In an era when frontmen were beginning to become brands, Wood points to the older, almost doo-wop logic of shared voices and collective identity. Harmonies aren’t just pretty; they’re social. They say: we’re a gang, not a spotlight.
The subtext is also about credibility. Rock was busy policing its borders - authenticity versus pop, grit versus gloss. By grounding their early sound in Motown but insisting on rock attack, Wood describes a hybrid designed to sneak melody past rock’s bouncers. It’s the DNA of what would become British pop’s great trick: mass appeal that still feels earned, communal, and a little dangerous.
The detail that “everybody in the band sang” does more than paint a cozy rehearsal snapshot. It’s an argument for the band as a unit rather than a star vehicle. In an era when frontmen were beginning to become brands, Wood points to the older, almost doo-wop logic of shared voices and collective identity. Harmonies aren’t just pretty; they’re social. They say: we’re a gang, not a spotlight.
The subtext is also about credibility. Rock was busy policing its borders - authenticity versus pop, grit versus gloss. By grounding their early sound in Motown but insisting on rock attack, Wood describes a hybrid designed to sneak melody past rock’s bouncers. It’s the DNA of what would become British pop’s great trick: mass appeal that still feels earned, communal, and a little dangerous.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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