"When you find something where you can give people a message and still make it an exciting movie, you get very, very excited about something. You probably even work harder than you normally do"
About this Quote
Emmerich is basically confessing the holy grail of blockbuster craft: smuggling an argument into a roller-coaster without the audience feeling preached at. Coming from a director synonymous with spectacle - cities liquefying, monuments collapsing, the end of the world as popcorn entertainment - the line reads like a maker of big, loud movies insisting he isnt only pushing pixels. He wants the sugar rush and the aftertaste.
The intent is pragmatic, almost industrial. A "message" is not framed as moral duty but as a creative accelerant. If the theme can ride shotgun with the thrills, it doesnt slow the machine down; it upgrades the engine. Thats the subtext: the mainstream audience is reachable, even persuadable, but only if you respect their appetite for momentum. Emmerich isnt arguing for subtle cinema. He is arguing for efficient cinema, where meaning is delivered at speed.
Context matters because his filmography has often been treated as apolitical disaster pageantry, even when it plainly isnt. Independence Day turns invasion into a myth of collective solidarity. The Day After Tomorrow packages climate anxiety as a chase movie. Even his historical dramas chase the same bargain: make the lecture hall feel like a multiplex.
The most revealing phrase is "work harder than you normally do". Its a tell that message-plus-entertainment is technically difficult, not automatically virtuous. The audience will forgive a sermon if the movie keeps moving, but they wont forgive boredom. Emmerichs excitement is less about ideology than about the rare moment when craft, commerce, and conviction align.
The intent is pragmatic, almost industrial. A "message" is not framed as moral duty but as a creative accelerant. If the theme can ride shotgun with the thrills, it doesnt slow the machine down; it upgrades the engine. Thats the subtext: the mainstream audience is reachable, even persuadable, but only if you respect their appetite for momentum. Emmerich isnt arguing for subtle cinema. He is arguing for efficient cinema, where meaning is delivered at speed.
Context matters because his filmography has often been treated as apolitical disaster pageantry, even when it plainly isnt. Independence Day turns invasion into a myth of collective solidarity. The Day After Tomorrow packages climate anxiety as a chase movie. Even his historical dramas chase the same bargain: make the lecture hall feel like a multiplex.
The most revealing phrase is "work harder than you normally do". Its a tell that message-plus-entertainment is technically difficult, not automatically virtuous. The audience will forgive a sermon if the movie keeps moving, but they wont forgive boredom. Emmerichs excitement is less about ideology than about the rare moment when craft, commerce, and conviction align.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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