"When you have the paparazzi hiding in the bushes outside your home, the only thing you can control is how you respond publicly"
About this Quote
There is a bleak kind of wisdom in admitting that privacy, once you become famous, isn’t a right so much as a weather system. Portia de Rossi frames celebrity not as glamour but as exposure: paparazzi literally "hiding in the bushes" turns the home from sanctuary into a perimeter. The image is deliberately suburban and creepy, less red carpet than stakeout, and it makes the violation feel intimate rather than abstract.
Her key move is narrowing the field of agency to a single lane: "the only thing you can control is how you respond publicly". That’s not self-help; it’s triage. In a culture that treats famous people like both products and public property, the quote acknowledges a harsh asymmetry: the camera has more power than the subject. You can install gates, call security, move neighborhoods, but you can’t unfollow the attention economy. What remains is performance management - choosing the tone, the story, the face you offer so you’re not edited into someone else’s narrative.
The subtext is also a critique of the audience. Paparazzi don’t hide in bushes for art; they do it because demand rewards intrusion. De Rossi’s line quietly exposes the pipeline from "candid" photo to click to profit, and how it pressures celebrities into becoming their own crisis PR teams. It’s resilience, yes, but also resignation: the public self becomes the last controllable border when the private one has already been breached.
Her key move is narrowing the field of agency to a single lane: "the only thing you can control is how you respond publicly". That’s not self-help; it’s triage. In a culture that treats famous people like both products and public property, the quote acknowledges a harsh asymmetry: the camera has more power than the subject. You can install gates, call security, move neighborhoods, but you can’t unfollow the attention economy. What remains is performance management - choosing the tone, the story, the face you offer so you’re not edited into someone else’s narrative.
The subtext is also a critique of the audience. Paparazzi don’t hide in bushes for art; they do it because demand rewards intrusion. De Rossi’s line quietly exposes the pipeline from "candid" photo to click to profit, and how it pressures celebrities into becoming their own crisis PR teams. It’s resilience, yes, but also resignation: the public self becomes the last controllable border when the private one has already been breached.
Quote Details
| Topic | Privacy & Cybersecurity |
|---|---|
| Source | Help us find the source |
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