"When you have to get into the character each morning, give it your voice, your face, it was torture"
About this Quote
“It was torture” lands hard because it refuses the usual romantic language of sacrifice. Torture implies coercion, endurance, and aftermath. The subtext is a warning about the psychological violence of certain roles, certain directors, certain eras of filmmaking that demanded total access to an actor’s instrument without always providing protection or recovery. Coming from Victoria Abril, whose career spans the emotionally high-wire, frequently transgressive cinema of post-Franco Spain (including intense collaborations with auteurs who love risk), it reads like a quiet invoice for what that artistic freedom cost.
Her line also punctures the myth that transformation is purely empowering. Sometimes the character doesn’t expand you; it occupies you. The “morning” detail hints at the dread of repetition: not one harrowing scene, but the grind of becoming someone else again and again, until your own voice starts to feel borrowed.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Abril, Victoria. (2026, January 17). When you have to get into the character each morning, give it your voice, your face, it was torture. FixQuotes. https://fixquotes.com/quotes/when-you-have-to-get-into-the-character-each-79142/
Chicago Style
Abril, Victoria. "When you have to get into the character each morning, give it your voice, your face, it was torture." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/when-you-have-to-get-into-the-character-each-79142/.
MLA Style (9th ed.)
"When you have to get into the character each morning, give it your voice, your face, it was torture." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/when-you-have-to-get-into-the-character-each-79142/. Accessed 13 Feb. 2026.







