"Whenever I did a good performance, my Dad and my uncles, who were rabid movie fans, took me to the movies. There began my underlying love affair with film"
About this Quote
Affection, in Mel Torme's telling, comes with a ticket stub. The reward for a "good performance" isnt candy or praise in the abstract; its being ushered into a dark room where other people get to be larger than life. That detail matters because it frames cinema not as some lofty artistic calling, but as an earned intimacy, a family ritual with a clear emotional logic: do well, and you get access to wonder.
The subtext is about apprenticeship across mediums. Torme is a musician, but his early validation is mediated by film-loving men in his orbit Dad and uncles described as "rabid", a word that signals obsession, not polite appreciation. Their fandom is contagious, and Torme positions himself as both the kid being celebrated and the kid being initiated. The movies become a second stage where timing, charisma, and audience response are studied without anyone labeling it "craft."
"Underlying love affair" is doing quiet work, too. It suggests something constant and private, running beneath the public identity of the performer. Torme isnt claiming cinema replaced music; he's saying it planted a durable hunger for spectacle, narrative, and performance at scale. In mid-century America, where film was the shared language of cool, aspiration, and escape, that weekly pilgrimage to the theater doubles as social training: how to watch, how to want, how to imagine yourself inside the frame.
The subtext is about apprenticeship across mediums. Torme is a musician, but his early validation is mediated by film-loving men in his orbit Dad and uncles described as "rabid", a word that signals obsession, not polite appreciation. Their fandom is contagious, and Torme positions himself as both the kid being celebrated and the kid being initiated. The movies become a second stage where timing, charisma, and audience response are studied without anyone labeling it "craft."
"Underlying love affair" is doing quiet work, too. It suggests something constant and private, running beneath the public identity of the performer. Torme isnt claiming cinema replaced music; he's saying it planted a durable hunger for spectacle, narrative, and performance at scale. In mid-century America, where film was the shared language of cool, aspiration, and escape, that weekly pilgrimage to the theater doubles as social training: how to watch, how to want, how to imagine yourself inside the frame.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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