"Whether you like another band's music or not you never know who is going to take you out on tour or who you are going to be friends with and that is just something that is important to us"
About this Quote
There is a quietly pragmatic generosity baked into this line: taste is temporary, but networks are infrastructure. Adam Rich frames “liking” a band as almost irrelevant next to the realities of who books whom, who shares a bus, who vouches for you when the industry gets small and memory gets long. It’s not idealism; it’s survival with manners.
The subtext is etiquette as strategy. In music-adjacent worlds, snobbery is a luxury, and openness becomes a form of risk management. “You never know who is going to take you out on tour” is a reminder that careers don’t just rise on merit; they rise on invitations. Those invitations are shaped by reputation: are you easy to be around, respectful when you’re not impressed, capable of seeing people as peers instead of props? Rich’s phrasing nudges the listener toward humility without preaching it. He doesn’t demand you pretend to love everything; he asks you to behave as if your opinion isn’t the center of the room.
The context feels like backstage counsel, the kind traded by people who’ve watched doors open and close for reasons that have little to do with talent. The final clause, “important to us,” turns it into a values statement: community as policy, not vibe. It’s a small rebuke to the culture of hot takes and instant dismissal. In a scene that runs on collaboration, the real flex is professional curiosity - staying decent, staying available, and leaving room for the possibility that today’s “not my thing” is tomorrow’s ally.
The subtext is etiquette as strategy. In music-adjacent worlds, snobbery is a luxury, and openness becomes a form of risk management. “You never know who is going to take you out on tour” is a reminder that careers don’t just rise on merit; they rise on invitations. Those invitations are shaped by reputation: are you easy to be around, respectful when you’re not impressed, capable of seeing people as peers instead of props? Rich’s phrasing nudges the listener toward humility without preaching it. He doesn’t demand you pretend to love everything; he asks you to behave as if your opinion isn’t the center of the room.
The context feels like backstage counsel, the kind traded by people who’ve watched doors open and close for reasons that have little to do with talent. The final clause, “important to us,” turns it into a values statement: community as policy, not vibe. It’s a small rebuke to the culture of hot takes and instant dismissal. In a scene that runs on collaboration, the real flex is professional curiosity - staying decent, staying available, and leaving room for the possibility that today’s “not my thing” is tomorrow’s ally.
Quote Details
| Topic | Friendship |
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