"Whether you've done anything wrong or not people will write whatever they want, so it's just a matter of not reading it, not buying into it, and hopefully the people that do read it realise that it's just fictional stories for entertainment"
About this Quote
There is a particular kind of exhaustion baked into celebrity life: the sense that your actual behavior is only loosely related to the story that gets sold about you. Holly Valance’s line isn’t a plea for sympathy as much as a coping manual. “Whether you’ve done anything wrong or not” flattens the moral scoreboard; in the tabloid economy, innocence doesn’t clear your name, it just makes you easier copy. The point is blunt: the machine runs on attention, not accuracy.
What makes the quote work is its strategic repositioning of power. Valance can’t stop “people” (a nicely anonymous swarm) from writing “whatever they want,” so she shifts the battlefield to consumption: don’t read it, don’t buy it, don’t emotionally invest. That’s not denial; it’s an attempt to starve a narrative by refusing to feed it. The repetition of “it” mirrors how scandal becomes a foggy, content-shaped object, detached from events and attached to clicks.
The sharpest move is calling the coverage “fictional stories for entertainment.” It’s a demotion: not journalism, not accountability, but genre content. The subtext is a warning to audiences who think they’re participating in justice when they’re really participating in leisure. “Hopefully the people that do read it realise” is doing a lot of work, too - a quiet admission that opting out is a privilege, and that reputations still get made and broken in rooms you can’t control. Valance frames the real fight as media literacy: not disproving every rumor, but teaching people to treat gossip like theater, not testimony.
What makes the quote work is its strategic repositioning of power. Valance can’t stop “people” (a nicely anonymous swarm) from writing “whatever they want,” so she shifts the battlefield to consumption: don’t read it, don’t buy it, don’t emotionally invest. That’s not denial; it’s an attempt to starve a narrative by refusing to feed it. The repetition of “it” mirrors how scandal becomes a foggy, content-shaped object, detached from events and attached to clicks.
The sharpest move is calling the coverage “fictional stories for entertainment.” It’s a demotion: not journalism, not accountability, but genre content. The subtext is a warning to audiences who think they’re participating in justice when they’re really participating in leisure. “Hopefully the people that do read it realise” is doing a lot of work, too - a quiet admission that opting out is a privilege, and that reputations still get made and broken in rooms you can’t control. Valance frames the real fight as media literacy: not disproving every rumor, but teaching people to treat gossip like theater, not testimony.
Quote Details
| Topic | Resilience |
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