"While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area"
About this Quote
The flex here is almost aggressive in its casualness: "my first 90 books" lands like a tossed-off aside, the way some people mention a commute. Jenkins is doing more than recounting a resume. He is staking a claim to legitimacy in an industry obsessed with gatekeeping, where the quickest way to be dismissed is to be seen as merely prolific. So he frames volume as proof of apprenticeship: he wasn't just churning out manuscripts; he was inside the machinery as an editor, publisher, executive. That list isn’t trivia. It’s a credentialing ritual, meant to preempt the suspicion that success arrived by accident or pure talent.
The slip into lowercase and the approximate math ("three of my seven or so") reads like a working writer speaking in shop terms, not polishing a literary persona. The subtext is pragmatic: careers are built through adjacency and infrastructure as much as inspiration. By highlighting sports biographies as the books that "opened doors", Jenkins points to a distinctly American ladder-climb: borrow the cultural capital of celebrities, meet the right people, prove you can deliver on deadline, then cash that trust in later. In publishing, reliability is currency.
Context matters: Jenkins is widely associated with mass-market, faith-adjacent bestsellers. This quote quietly rebuts the snob’s narrative of the factory writer by insisting on craft, networking, and institutional knowledge. It’s a portrait of authorship as entrepreneurship, not romance.
The slip into lowercase and the approximate math ("three of my seven or so") reads like a working writer speaking in shop terms, not polishing a literary persona. The subtext is pragmatic: careers are built through adjacency and infrastructure as much as inspiration. By highlighting sports biographies as the books that "opened doors", Jenkins points to a distinctly American ladder-climb: borrow the cultural capital of celebrities, meet the right people, prove you can deliver on deadline, then cash that trust in later. In publishing, reliability is currency.
Context matters: Jenkins is widely associated with mass-market, faith-adjacent bestsellers. This quote quietly rebuts the snob’s narrative of the factory writer by insisting on craft, networking, and institutional knowledge. It’s a portrait of authorship as entrepreneurship, not romance.
Quote Details
| Topic | Writing |
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