"Who naught suspects is easily deceived"
About this Quote
Suspicion gets a bad rap, but Petrarch treats it less as paranoia than as basic mental hygiene. "Who naught suspects is easily deceived" is a neatly sharpened warning: innocence is not a moral shield, it is a tactical vulnerability. The sentence works because it refuses the comforting idea that truth protects itself. Deception isn’t an exception in human affairs; it’s a standing possibility, waiting on our laziness.
The subtext is almost painfully Renaissance, even before the Renaissance has fully arrived: a shift from a world organized by inherited assurances (church, court, tradition) to one where appearances can be staged, reputations manufactured, and desire exploited. Petrarch lived in a fourteenth-century Italy of papal politics, patronage networks, diplomatic intrigue, and early humanist self-fashioning. In that environment, credibility is currency and performance is power. The line reads like advice from someone who has watched language itself become an instrument: poetry can elevate, but rhetoric can also launder motives.
Intent matters here. Petrarch isn’t urging cynicism for its own sake; he’s arguing for alertness, a trained capacity to imagine other people’s incentives. "Naught suspects" is the tell: it’s not "who trusts", but who refuses to entertain doubt at all. That refusal becomes a form of vanity, the belief that one’s own perception is too pure to be played. Petrarch punctures that self-image with a blunt consequence: if you won’t do the work of suspicion, someone else will do the work of deception.
The subtext is almost painfully Renaissance, even before the Renaissance has fully arrived: a shift from a world organized by inherited assurances (church, court, tradition) to one where appearances can be staged, reputations manufactured, and desire exploited. Petrarch lived in a fourteenth-century Italy of papal politics, patronage networks, diplomatic intrigue, and early humanist self-fashioning. In that environment, credibility is currency and performance is power. The line reads like advice from someone who has watched language itself become an instrument: poetry can elevate, but rhetoric can also launder motives.
Intent matters here. Petrarch isn’t urging cynicism for its own sake; he’s arguing for alertness, a trained capacity to imagine other people’s incentives. "Naught suspects" is the tell: it’s not "who trusts", but who refuses to entertain doubt at all. That refusal becomes a form of vanity, the belief that one’s own perception is too pure to be played. Petrarch punctures that self-image with a blunt consequence: if you won’t do the work of suspicion, someone else will do the work of deception.
Quote Details
| Topic | Wisdom |
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