"Why do you have to translate and decode things? Just let the image be. It will have a special kind of reality that it won't once it's decoded"
About this Quote
Anderson is pushing back against our most compulsive modern reflex: turning experience into caption. Coming from a musician who treats language like an instrument and technology like a stage partner, the line isn’t anti-intellectual so much as anti-extraction. “Translate and decode” names the way critics, algorithms, and even friends can strip an image for parts, hauling meaning out of it like salvage. The word “just” is doing sly work here, too: it sounds casual, but it’s a dare. Stop performing comprehension. Stop proving you got it.
The “special kind of reality” she’s defending is the felt, pre-verbal charge of art: the way a photograph, a performance, or a fragment of video can hit you before it turns into a take. Once “decoded,” an image becomes obedient. It joins the tidy economy of messages, themes, lessons. Anderson’s subtext is that interpretation can be a form of control. To decode is to domesticate; to translate is to force the work into your own language, your own story, your own certainty.
Context matters: Anderson’s career sits at the crossroads of avant-garde performance, pop circuitry, and media critique. She’s watched images migrate from galleries to feeds, where meaning is flattened into shareable summaries. Her warning lands even harder now: the hunger to explain can be a way of not feeling. Letting the image be is not passivity. It’s attention without conquest.
The “special kind of reality” she’s defending is the felt, pre-verbal charge of art: the way a photograph, a performance, or a fragment of video can hit you before it turns into a take. Once “decoded,” an image becomes obedient. It joins the tidy economy of messages, themes, lessons. Anderson’s subtext is that interpretation can be a form of control. To decode is to domesticate; to translate is to force the work into your own language, your own story, your own certainty.
Context matters: Anderson’s career sits at the crossroads of avant-garde performance, pop circuitry, and media critique. She’s watched images migrate from galleries to feeds, where meaning is flattened into shareable summaries. Her warning lands even harder now: the hunger to explain can be a way of not feeling. Letting the image be is not passivity. It’s attention without conquest.
Quote Details
| Topic | Art |
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