"Why get married and make one man miserable when I can stay single and make thousands miserable?"
About this Quote
A dagger wrapped in a bonbon: Carrie P. Snow turns the era's favorite moral duty into a punchline, and the joke lands because it flips the expected target. The premise of traditional marriage rhetoric is that a woman is supposed to “settle,” to narrow her world to one man, one home, one set of needs. Snow’s line refuses that narrowing with a mischievous, almost businesslike calculus. Why accept a private, gendered obligation when a public life offers broader leverage?
The subtext is less “I hate men” than “I see the rigged bargain.” The phrase “make one man miserable” lampoons the assumption that a wife’s noncompliance, ambition, or personality is a marital problem to be managed. By contrast, “make thousands miserable” reframes female independence as cultural interference: the single woman as scandal, competitor, temptation, or simply a person who won’t perform the usual soothing labor. Snow weaponizes that accusation and wears it like a crown.
Context matters: as a writer, Snow is speaking from the professional sphere that marriage often threatened to erase. The line reads like a defense of creative autonomy, but it’s also a sly admission that visibility comes with backlash. She’s not pretending independence will be rewarded; she’s saying the disapproval is already priced in, so she might as well get scale for it.
It works because the cruelty is theatrical. Misery is exaggerated, almost vaudevillian, exposing how melodramatic society can be about a woman declining the script.
The subtext is less “I hate men” than “I see the rigged bargain.” The phrase “make one man miserable” lampoons the assumption that a wife’s noncompliance, ambition, or personality is a marital problem to be managed. By contrast, “make thousands miserable” reframes female independence as cultural interference: the single woman as scandal, competitor, temptation, or simply a person who won’t perform the usual soothing labor. Snow weaponizes that accusation and wears it like a crown.
Context matters: as a writer, Snow is speaking from the professional sphere that marriage often threatened to erase. The line reads like a defense of creative autonomy, but it’s also a sly admission that visibility comes with backlash. She’s not pretending independence will be rewarded; she’s saying the disapproval is already priced in, so she might as well get scale for it.
It works because the cruelty is theatrical. Misery is exaggerated, almost vaudevillian, exposing how melodramatic society can be about a woman declining the script.
Quote Details
| Topic | Witty One-Liners |
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