"Wicked is not much worse than indiscreet"
About this Quote
Donne needles a moral culture that loves big words and blurry boundaries. “Wicked” sounds absolute: a brand, a sentence, a permanent stain. “Indiscreet” sounds social: a lapse in judgment, an unfortunate choice of timing, the kind of error you can smooth over if you have status and a good tailor. By saying wickedness isn’t much worse than indiscretion, Donne isn’t excusing evil so much as exposing how easily “sin” is downgraded into “bad taste” when reputation is on the line.
The line works because it compresses a whole argument about optics into a cold little comparison. Donne, a poet steeped in a world of sermons, court gossip, and spiritual accounting, knew that people rarely confess to being wicked. They confess to being imprudent. That rhetorical swap is the point: calling something “indiscreet” is a way of laundering culpability, turning harm into a faux pas. Donne’s irony is to treat the euphemism as almost morally equivalent to the crime it’s trying to soften.
Context matters: early modern England was obsessed with the public performance of virtue, especially around sex, ambition, and religious allegiance. Donne lived those stakes personally, navigating conversion, patronage, and scandal. The subtext is brutally modern: when a culture measures morality by decorum, the real transgression isn’t wrongdoing; it’s getting caught, saying the quiet part out loud, or letting desire spill past the boundaries of “acceptable” secrecy.
The line works because it compresses a whole argument about optics into a cold little comparison. Donne, a poet steeped in a world of sermons, court gossip, and spiritual accounting, knew that people rarely confess to being wicked. They confess to being imprudent. That rhetorical swap is the point: calling something “indiscreet” is a way of laundering culpability, turning harm into a faux pas. Donne’s irony is to treat the euphemism as almost morally equivalent to the crime it’s trying to soften.
Context matters: early modern England was obsessed with the public performance of virtue, especially around sex, ambition, and religious allegiance. Donne lived those stakes personally, navigating conversion, patronage, and scandal. The subtext is brutally modern: when a culture measures morality by decorum, the real transgression isn’t wrongdoing; it’s getting caught, saying the quiet part out loud, or letting desire spill past the boundaries of “acceptable” secrecy.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
More Quotes by John
Add to List













