"With the requests of some he complied, and has published a discourse, delivered before the Society for recovering drowned persons, which may be justly pronounced one of the most beautiful and interesting sermons in the English language"
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Praise this lavish is never just a book review; its a clerical power move wrapped in velvet. John Strachan, a canny churchman and institution-builder, frames the publication of the sermon as reluctant compliance "with the requests of some" - a classic gesture of modesty that actually boosts the works authority. The sermon is not marketed; it is summoned. That posture matters in a Protestant culture suspicious of self-display but hungry for sanctioned eloquence.
Then theres the wonderfully odd setting: a Society for recovering drowned persons. In the late eighteenth and early nineteenth centuries, such societies were early public-health ventures, promoting resuscitation and rescue techniques while also offering a moral vocabulary for social improvement. A sermon delivered to them sits at the crossroads of spiritual care and modernizing civic life. Strachan is signaling that the pulpit still owns the big feelings - mortality, duty, communal responsibility - even as secular institutions professionalize compassion.
Calling it "one of the most beautiful and interesting sermons in the English language" is intentionally outsized, the kind of superlative that converts a local occasion into a canonical event. Subtext: the church can match, even outclass, the literary culture that increasingly competes for public attention. Beauty here isnt just aesthetic; its proof of moral legitimacy. Interesting isnt neutral either; it promises relevance, the pulpit speaking in the key of the public sphere rather than merely to the saved.
Then theres the wonderfully odd setting: a Society for recovering drowned persons. In the late eighteenth and early nineteenth centuries, such societies were early public-health ventures, promoting resuscitation and rescue techniques while also offering a moral vocabulary for social improvement. A sermon delivered to them sits at the crossroads of spiritual care and modernizing civic life. Strachan is signaling that the pulpit still owns the big feelings - mortality, duty, communal responsibility - even as secular institutions professionalize compassion.
Calling it "one of the most beautiful and interesting sermons in the English language" is intentionally outsized, the kind of superlative that converts a local occasion into a canonical event. Subtext: the church can match, even outclass, the literary culture that increasingly competes for public attention. Beauty here isnt just aesthetic; its proof of moral legitimacy. Interesting isnt neutral either; it promises relevance, the pulpit speaking in the key of the public sphere rather than merely to the saved.
Quote Details
| Topic | Writing |
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