"Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated"
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Bulfinch is selling a key, not a shrine. The line has the mild, patrician force of a gatekeeper explaining the dress code: if you want into the ballroom of "elegant literature", you need the right references on your sleeve. In the mid-19th century, that argument did real cultural work. American readers were hungry for legitimacy, and British literary prestige still set the terms. Mythology, in Bulfinch's framing, becomes portable cultural capital - a compact toolkit that lets the aspiring middle-class reader decode allusions that otherwise flash by like private jokes.
The intent is practical, almost consumer-friendly: learn the gods, grasp the poems. Yet the subtext is quietly hierarchical. "Our own language" sounds democratic, but "elegant literature" narrows the field to a canon built by and for the educated. Bulfinch isn't just recommending background knowledge; he's defining what counts as serious reading and who gets to feel at home doing it.
What makes the sentence work is its understated inevitability. He doesn't argue that mythology is enriching, or beautiful, or morally improving. He claims it's necessary for understanding - a functional prerequisite. That moves mythology from optional ornament to infrastructure: the hidden wiring behind metaphors, archetypes, and character types. Even now, the line lands as a reminder that literary pleasure is often a matter of access. You don't "get" the allusion because you weren't born into it; you learn the code, and the text opens. Bulfinch's project is both an invitation and a quiet reminder that the door was locked in the first place.
The intent is practical, almost consumer-friendly: learn the gods, grasp the poems. Yet the subtext is quietly hierarchical. "Our own language" sounds democratic, but "elegant literature" narrows the field to a canon built by and for the educated. Bulfinch isn't just recommending background knowledge; he's defining what counts as serious reading and who gets to feel at home doing it.
What makes the sentence work is its understated inevitability. He doesn't argue that mythology is enriching, or beautiful, or morally improving. He claims it's necessary for understanding - a functional prerequisite. That moves mythology from optional ornament to infrastructure: the hidden wiring behind metaphors, archetypes, and character types. Even now, the line lands as a reminder that literary pleasure is often a matter of access. You don't "get" the allusion because you weren't born into it; you learn the code, and the text opens. Bulfinch's project is both an invitation and a quiet reminder that the door was locked in the first place.
Quote Details
| Topic | Knowledge |
|---|---|
| Source | Thomas Bulfinch. Bulfinch's Mythology: The Age of Fable — Preface/introduction (commonly cited source for this line). |
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