"Women are women, and hurray for that"
About this Quote
“Women are women, and hurray for that” is Galliano at his most disarmingly blunt: a toast disguised as a tautology. The line works because it refuses the designerly temptation to define womanhood in a neat silhouette or a marketable archetype. Instead, it leans on celebration - “hurray” - a word that sounds almost childish, as if seriousness would overcomplicate what he wants to position as self-evident.
The subtext, though, is where the friction lives. Coming from a fashion designer whose career has relied on transforming bodies into narratives (pirates, courtesans, debutantes, dystopian romantics), the phrase reads less like a feminist manifesto than a permission slip: let women be the point, not the problem to solve. It’s an aesthetic politics, not a policy platform. He’s staking out a posture that fashion often performs: reverence for women while simultaneously editing, framing, and selling an image of them.
Context matters because Galliano’s public story includes both visionary theatricality and scandal, which makes any breezy celebration feel like image-repair as much as genuine admiration. In a post-#MeToo, hyper-scrutinized industry, “women are women” also signals fatigue with ideological battles over identity - a desire to retreat to a simpler, affirmative slogan. That simplicity is the quote’s strength and its dodge: it flatters without specifying what, exactly, is being supported, protected, or challenged. It’s a cheer that reveals how often fashion confuses applause with accountability.
The subtext, though, is where the friction lives. Coming from a fashion designer whose career has relied on transforming bodies into narratives (pirates, courtesans, debutantes, dystopian romantics), the phrase reads less like a feminist manifesto than a permission slip: let women be the point, not the problem to solve. It’s an aesthetic politics, not a policy platform. He’s staking out a posture that fashion often performs: reverence for women while simultaneously editing, framing, and selling an image of them.
Context matters because Galliano’s public story includes both visionary theatricality and scandal, which makes any breezy celebration feel like image-repair as much as genuine admiration. In a post-#MeToo, hyper-scrutinized industry, “women are women” also signals fatigue with ideological battles over identity - a desire to retreat to a simpler, affirmative slogan. That simplicity is the quote’s strength and its dodge: it flatters without specifying what, exactly, is being supported, protected, or challenged. It’s a cheer that reveals how often fashion confuses applause with accountability.
Quote Details
| Topic | Pride |
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