"Writers may be disreputable, incorrigible, early to decay or late to bloom but they dare to go it alone"
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Updike’s sentence flatters writers by first insulting them. “Disreputable, incorrigible” is the language of vice squads and disappointed relatives, not MFA brochures. It’s a comic litany of defects that quietly rebukes the romantic image of the writer as tasteful artisan. Updike knows the stereotype: the novelist as social misfit, moral inconvenience, professional naysayer. He leans into it, then pivots to the real credential: nerve.
The middle clause, “early to decay or late to bloom,” smuggles in a grim occupational truth. Writing is a long game with unpredictable timing. Some burn out young; others spend decades sounding like amateurs before they find a voice. Updike doesn’t offer a productivity hack or a saintly narrative of persistence. He offers the less comforting idea that the arc is arbitrary and the body keeps score. “Decay” isn’t just artistic stagnation; it’s aging, entropy, reputation fraying in public. “Bloom” suggests the opposite: the stubborn possibility of arriving after the culture has already decided you’re irrelevant.
Then the payoff: “they dare to go it alone.” Not “they prefer,” not “they choose,” but “dare” - bravery framed as risk, not lifestyle branding. The subtext is that writing’s core act is solitary accountability. No team credit, no alibi of consensus: the page holds your name and your failures. In a culture that rewards collaboration, likability, and constant feedback, Updike argues for the one unfashionable virtue the novelist can’t outsource: the willingness to stand apart, and be judged there.
The middle clause, “early to decay or late to bloom,” smuggles in a grim occupational truth. Writing is a long game with unpredictable timing. Some burn out young; others spend decades sounding like amateurs before they find a voice. Updike doesn’t offer a productivity hack or a saintly narrative of persistence. He offers the less comforting idea that the arc is arbitrary and the body keeps score. “Decay” isn’t just artistic stagnation; it’s aging, entropy, reputation fraying in public. “Bloom” suggests the opposite: the stubborn possibility of arriving after the culture has already decided you’re irrelevant.
Then the payoff: “they dare to go it alone.” Not “they prefer,” not “they choose,” but “dare” - bravery framed as risk, not lifestyle branding. The subtext is that writing’s core act is solitary accountability. No team credit, no alibi of consensus: the page holds your name and your failures. In a culture that rewards collaboration, likability, and constant feedback, Updike argues for the one unfashionable virtue the novelist can’t outsource: the willingness to stand apart, and be judged there.
Quote Details
| Topic | Writing |
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