"Writers never get a very good deal in Hollywood"
About this Quote
A lot of Hollywood mythology runs on the illusion that movies are born fully formed on set, conjured by stars, directors, and sheer production swagger. Richard O'Brien’s line pops that balloon with a shrug: writers are essential, but structurally undervalued. Coming from an actor - and one who built cult immortality with The Rocky Horror Show - it carries an insider’s sting. He’s not complaining from the cheap seats; he’s pointing at the machinery.
The intent is blunt solidarity. Hollywood loves “ideas” but distrusts the people who generate them, because writers represent the one thing the system can’t fully industrialize: authorship. Scripts get bought, rewritten, “punched up,” and passed around like a relay baton. By the time the film exists, the writer’s contribution is both everywhere and easy to erase. That’s the subtext: credit is a currency, and writers have the weakest bargaining position in a hierarchy that rewards visibility. Actors are the face, directors are the auteurs, producers control the money; writers are the pre-production labor that audiences rarely learn to name.
Context matters here: O’Brien’s career is a reminder that writing can be the source of a franchise’s entire identity, yet the film industry still treats the script as a starting document, not a finished artwork. The wit in “never” is doing work, too - a sweeping generalization that sounds like a joke, until you remember how often it’s true. It’s an industry critique disguised as casual backstage wisdom: if you want power in Hollywood, don’t be the person who types “Fade Out.”
The intent is blunt solidarity. Hollywood loves “ideas” but distrusts the people who generate them, because writers represent the one thing the system can’t fully industrialize: authorship. Scripts get bought, rewritten, “punched up,” and passed around like a relay baton. By the time the film exists, the writer’s contribution is both everywhere and easy to erase. That’s the subtext: credit is a currency, and writers have the weakest bargaining position in a hierarchy that rewards visibility. Actors are the face, directors are the auteurs, producers control the money; writers are the pre-production labor that audiences rarely learn to name.
Context matters here: O’Brien’s career is a reminder that writing can be the source of a franchise’s entire identity, yet the film industry still treats the script as a starting document, not a finished artwork. The wit in “never” is doing work, too - a sweeping generalization that sounds like a joke, until you remember how often it’s true. It’s an industry critique disguised as casual backstage wisdom: if you want power in Hollywood, don’t be the person who types “Fade Out.”
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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