"Writers of fiction, when they begin, are more likely to try the short form"
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There’s a quiet demystification baked into Shaw’s line, a way of sanding down the romantic myth of the novelist who bursts fully formed onto page one of a sweeping saga. He’s talking craft, not destiny: beginners gravitate to the short form because it’s the most honest laboratory for learning how narrative actually works. A short story demands compression, decisions, and consequences on every paragraph. You can’t hide slack prose behind world-building, or postpone meaning for chapter twelve. The form forces the writer to confront what they’re really doing: choosing a moment, sharpening a point of view, earning an ending.
The subtext is partly practical, partly disciplinary. “More likely” signals a pattern, not a rule, but it also nudges against a certain beginner’s arrogance: the idea that ambition should precede skill. Shaw implies that apprenticeship matters, and that the short story functions as a proving ground where a writer can fail faster, revise more, and develop instinct without spending three years lost in a 400-page swamp.
Context helps. Shaw came up in the era of magazine fiction, when short stories weren’t just training wheels; they were a serious, paid, culturally central venue. His remark carries that older ecosystem’s logic: short form as both entry point and professional platform. Read now, it also sounds like a gentle rebuke to the contemporary pressure to brand yourself immediately as a “novelist.” Shaw is arguing that beginnings are allowed to be small, and that smallness can be exacting, even ruthless.
The subtext is partly practical, partly disciplinary. “More likely” signals a pattern, not a rule, but it also nudges against a certain beginner’s arrogance: the idea that ambition should precede skill. Shaw implies that apprenticeship matters, and that the short story functions as a proving ground where a writer can fail faster, revise more, and develop instinct without spending three years lost in a 400-page swamp.
Context helps. Shaw came up in the era of magazine fiction, when short stories weren’t just training wheels; they were a serious, paid, culturally central venue. His remark carries that older ecosystem’s logic: short form as both entry point and professional platform. Read now, it also sounds like a gentle rebuke to the contemporary pressure to brand yourself immediately as a “novelist.” Shaw is arguing that beginnings are allowed to be small, and that smallness can be exacting, even ruthless.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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