"Writing a book is such a full-time job. If you're away for a few days, you have to start again"
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There is a quiet sabotage hiding in Collins's complaint: the work doesn't pause just because you do. Framed like a casual aside, the line is really about creative labor as an unforgiving routine, closer to a shift job than a burst of inspiration. He punctures the romantic image of the novelist pecking away when the muse arrives. Instead, the muse is clocked in, and if you miss a few days, the whole system logs you out.
The phrasing matters. "Such a full-time job" borrows the language of salaried adulthood, importing all its guilt and obligation into an activity people still treat as elective. Then comes the kicker: "you have to start again". Not "pick up where you left off" or "get back in the groove" but restart, as if the book is less a document than a state of mind with a short half-life. Collins is pointing at the cognitive overhead of long-form writing: the private mythology of characters, tone, structure, and momentum that evaporates when you step away.
As an actor, Collins is also smuggling in a comparison. Acting is collaborative, scheduled, and externally scaffolded; a call time forces continuity. Writing is solitary, self-policed, and therefore cruel in a different way. The subtext is equal parts admiration and resentment: a book demands devotion without providing the usual workplace machinery, leaving the writer to rebuild the entire world every time real life interrupts.
The phrasing matters. "Such a full-time job" borrows the language of salaried adulthood, importing all its guilt and obligation into an activity people still treat as elective. Then comes the kicker: "you have to start again". Not "pick up where you left off" or "get back in the groove" but restart, as if the book is less a document than a state of mind with a short half-life. Collins is pointing at the cognitive overhead of long-form writing: the private mythology of characters, tone, structure, and momentum that evaporates when you step away.
As an actor, Collins is also smuggling in a comparison. Acting is collaborative, scheduled, and externally scaffolded; a call time forces continuity. Writing is solitary, self-policed, and therefore cruel in a different way. The subtext is equal parts admiration and resentment: a book demands devotion without providing the usual workplace machinery, leaving the writer to rebuild the entire world every time real life interrupts.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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