"Writing is learning to say nothing, more cleverly each day"
About this Quote
A poet admitting, with a straight face, that his craft is the art of “nothing” is either self-laceration or a sly boast - and Allingham’s line works because it’s both. “Writing is learning” frames the act as apprenticeship, not inspiration: the romance of genius gets replaced by daily discipline. Then comes the sting: “to say nothing.” Not “to say less,” not “to be modest,” but to produce language whose surface may glitter while its payload evaporates. That’s a Victorian worry in miniature: the era’s flood of periodicals, polite verse, sermons, and “improving” literature created a marketplace where eloquence could easily outpace substance.
The subtext isn’t simply cynicism about writers; it’s a critique of rhetorical professionalism. “More cleverly each day” suggests the real metric of progress is technique, the tightening of screws, the better-timed flourish. Cleverness becomes a moral hazard: it can anesthetize both writer and reader into mistaking style for thought. The line’s dry comedy depends on the anticlimax of “nothing” arriving after the earnest “learning,” like a balloon punctured with a pin.
Allingham, an Irish poet navigating London’s literary networks, knew how much career writing demanded agreeable polish. The quote reads like an insider’s confession about the social function of art: often, writing doesn’t transmit truth so much as it performs competence, tact, and taste. It flatters the reader’s sense of refinement - and that, he implies, can be its own form of emptiness.
The subtext isn’t simply cynicism about writers; it’s a critique of rhetorical professionalism. “More cleverly each day” suggests the real metric of progress is technique, the tightening of screws, the better-timed flourish. Cleverness becomes a moral hazard: it can anesthetize both writer and reader into mistaking style for thought. The line’s dry comedy depends on the anticlimax of “nothing” arriving after the earnest “learning,” like a balloon punctured with a pin.
Allingham, an Irish poet navigating London’s literary networks, knew how much career writing demanded agreeable polish. The quote reads like an insider’s confession about the social function of art: often, writing doesn’t transmit truth so much as it performs competence, tact, and taste. It flatters the reader’s sense of refinement - and that, he implies, can be its own form of emptiness.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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