"Yeah, the material's been good so far, although I'm sure there's got to be a drought coming someday"
About this Quote
There’s a blue-collar elegance to the way Goodman shrugs at praise: not with false humility, but with a veteran’s superstition. “The material’s been good so far” nods to craft and luck in equal measure. Actors like to talk about choices; working actors know the script has to exist, the phone has to ring, the role has to fit the moment. The casual “Yeah” and “so far” keep the compliment at arm’s length, like he’s wary of jinxing a streak by naming it too proudly.
Then comes the turn: “although I’m sure there’s got to be a drought coming someday.” It’s funny because it’s almost mathematically grim, treating fortune as something that must balance out. But the joke is also self-protection. If you expect the drought, you can meet it without shock; you can turn scarcity into something survivable, even normal. It’s the psychology of an industry built on auditions, cancellations, and fickle taste: confidence is useful, certainty is dangerous.
Context matters here because Goodman’s career is practically a case study in longevity across eras and formats: network sitcom dominance, Coen-brothers prestige, voice work, character parts that steal scenes without begging for attention. The subtext isn’t “I’m insecure.” It’s “I’ve been around long enough to know the wheel turns, and I’m not romanticizing the ride.” The line functions as a charm against entitlement: gratitude without triumphalism, realism without bitterness.
Then comes the turn: “although I’m sure there’s got to be a drought coming someday.” It’s funny because it’s almost mathematically grim, treating fortune as something that must balance out. But the joke is also self-protection. If you expect the drought, you can meet it without shock; you can turn scarcity into something survivable, even normal. It’s the psychology of an industry built on auditions, cancellations, and fickle taste: confidence is useful, certainty is dangerous.
Context matters here because Goodman’s career is practically a case study in longevity across eras and formats: network sitcom dominance, Coen-brothers prestige, voice work, character parts that steal scenes without begging for attention. The subtext isn’t “I’m insecure.” It’s “I’ve been around long enough to know the wheel turns, and I’m not romanticizing the ride.” The line functions as a charm against entitlement: gratitude without triumphalism, realism without bitterness.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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